NOT YOUR USUAL SUSPECTS
A group blog featuring an international array of killer mystery, suspense, and romantic suspense writers. With premises and story lines different from your run-of-the-mill whodunits, we tend to write outside the box. We blog several times a week on all topics relating to romantic suspense and mystery, our writing, and our readers. We welcome all comments and often have guest bloggers. All our authors can be contacted separately, too, using their own social media links.
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Monday, February 13, 2012
Wearing My Writer’s Hat: Writing Effective Dialogue
Whenever I teach a workshop on writing, the two most common questions I’m asked are, “How do you write interesting and effective narrative” and “How do you get your characters to use dialogue that sounds normal and yet moves the story forward?” I’m going to address the second question in this blog by sharing my top ten dialogue tips that I believe will help strengthen your story.
1. Use dialogue to break up long narrative passages.
2. Incorporate dialogue so that it creates, and then heightens the drama/conflict.
3. Use dialogue to make your characters more human, more realistic. Remember narrative writing can describe a character, but dialogue makes them real.
4. Remember that dialogue is not conversation. Conversation can be meaningless, full of redundancies and irrelevant information. Dialogue is important and must move your story forward.
5. If the pacing seems slow, use dialogue to jump-start your scene. Dialogue moves the plot forward.
6. Use tags to help the reader identify who is speaking. Remember, however, to use them sparingly and effectively.
7. If your character is a policeman, a cowboy, an English aristocrat – make certain they speak in the appropriate manner. Police have specific terms for actions and items, so do cowboys, and so do aristocrats. Make certain you know them.
8. Use dialect sparingly. A little goes a long way.
9. Be careful in your choice of words. Don’t try to impress the reader – they will only feel intimidated and jerked from the story if they have to continually consult the dictionary.
10. Avoid dialogue that is too stiff or too formal. Most people use contractions in their speech, your characters should, too.
For those of you who are writers, do you use any of these more than others? Are there any I forgot? As readers, are there any books you feel have outstanding examples of dialogue?
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