Love of Research

As a reader, I love to learn new things when I read fiction. I enjoy experiencing danger vicariously and seeing the world from a different perspective. As an author, I strive to craft that same thrill for my readers. Research is how to nail the details that create that you-are-there insider's experience.

We've all read stories that fail at this. I am an instrument-rated private pilot with a little training in aerobatics. When I encounter blunders in a story about aviation, the magic of being in the story falls apart. I don't want to be that author who breaks the magic.

Why write what you know when you can write about exciting things you are learning?

HEROS OF RESEARCH

Authors James A. Michener, Ridley Pearson, and David Morrell exemplify the serious kind of research that elevates their stories to the bestseller category. Michener's tome Hawaii presents the geologic formation of the islands to establish the setting for readers. Pearson's research in his crime stories is revered by detectives for thoroughness. Morrell spent 35 days carrying a 60-lb. backpack through the Wind River Mountains in Wyoming with the National Outdoor Wilderness School to research is book Testament.

Here's my process.

SETTING

Where does the story happen? For North of the Killing Hand, I drew on travel experience in Mexico, Costa Rica, Panama, Ecuador, and Columbia for the scenes in the Amazon. The photos taken in these remote places reminded me of the density and types of foliage. Journals reminded me of the smells, sounds, oppressive dampness, and dangers. Beyond personal experience there comes online research and trips to the library for demographics. How many people live there and who are they? What languages do they speak? How do they travel? How do they communicate? What cultural differences stand out? Crime? Education? How do people make a living in the Amazon? What are their religious and ethical beliefs?

For the upcoming West of Famous, I spent a week on a trawler because a huge portion of the story takes place on such a boat. All the library research in the world cannot capture the smell of diesel, the constant motion of the boat, the sounds of the engines, or how to find compartments large enough to stuff a body. The boat owners, Paul and Caryn Frink, went above and beyond in helping me. They took me to the oh-so-remote site in the Everglades where part of the story takes place and dropped anchor. They let me ride in the engine compartment while the boat was underway. I had to test if screaming could be heard over the sound of the engine.

I took copious notes and photographed everything at various times of day and night to nail the details. Online research cannot compare. Paul, retired navy with a strong engineering background, taught me more about boats and boat engines in a week than I learned from months of other research. Hands-on research beats online research any day! Fun, too! The rocking sensation stopped two days after I returned home.

CHARACTER

For each character, major and minor, I want to know who they are. What makes them behave the way they do? What does the character fear? What does the character want? For minor characters, the basic information reads like a police profile: height, weight, age, gender, race, education, and basic history. For major characters, deeper analysis works.

In South of Justice, the main character Dr. Terri Pinehurst-Clayton is a veterinarian. What does it take to become a veterinarian? The info uncovered during research appeared in the book, especially the items that grabbed my attention. Did you know it is tougher to enter veterinarian school than medical school? That tidbit of info led me to find out why. The answer found its way into the book because inquiring minds want to know. At one point in the story, Terri bolsters her courage by reminding herself that she graduated at the top of her class because of her intellectual tenacity. She then decides to begin her own investigation into her husband's past.

Understanding the strengths and weaknesses of the main characters empowers the author to leverage these traits in the story. I have interviewed experts to gain insight into the how and why of their work.

I suppose such research is similar to method acting. I want to learn so much that I can step inside a character to experience life from a new perspective in a new place under circumstances I pray I never have to experience in real life.

Which author do you admire for creating stories that make you feel you are there?

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Joni M. Fisher is a journalist, an instrument-rated private pilot, and an active member of the Florida Writers Association, the Kiss of Death Chapter and the Tampa Area Romance Authors Chapter of RWA, and the Women's Fiction Writers Association. Books in her Compass Crimes Series have garnered attention in Publisher's Weekly and earned recognition in the 2017 National Indie Excellence Awards, the 2016 Royal Palm Literary Awards, the Indiana Golden Opportunity Contest, the Sheila Contest, and earned a Reader's Favorite 5-Star Review. 

For more information, see www.jonimfisher.com | facebook

I-Spy: How to...Research

Join the authors and friends of Not Your Usual Suspects for an occasional series of posts about their world of reading, writing and publishing.

Short and sweet; hopefully both informative and entertaining - join us at I-Spy to find out the how's and why's of what we do.

TODAY'S POST: I-Spy How to ... Research with Toni Anderson

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No matter how diligent you are, the likelihood is, you WILL make mistakes. I’ve made errors that make me want to kick myself. My advice is this—let it go and move on. More advice—don’t advertise your mistakes unless you can fix them :) (why give someone ammunition with which to shoot you?). 

Most of the information below is pretty simple. I find the best advice often is :). As my stories often involve crime/murder/death the emphasis is on more law-enforcement based resources, however, the underlying principles remain the same whatever the genre.

So, how do you research a novel? First, decide what you need to know.

There’s always a lot to think about when writing a book: setting—including flora and fauna, culture, jobs/occupations, life experience, medical conditions (psychological and physical) and often in RS/Mystery stories, some sort of police or military procedure to grapple with that involves everything from weapons to law.

Figure out what details you need to know. Don’t go off on too many tangents or you’ll never get started on your novel.

There are so many resources available today that weren’t available when I finished my first novel, Her Sanctuary. Back then (not that long ago) the FBI hadn’t admitted to having a section dedicated to art fraud. So I made it up. Nowadays they have a fantastic website (FBI), so be sure to Google <insert search engine of your choice> the obvious. Most of the big organizations have great websites, FBI, CIA, even GCHQ :)

This leads me to the primary method of research in today’s technological world. The Internet.

After Google, Wikipedia is the next obvious step. My advice is don’t assume all the information here is gospel. Check the facts. What I find most useful about Wikipedia is the External Links citation section, and also finding alternative search terms (i.e. when researching the SAS, I was reminded by Wikipedia to also search ‘The Regiment’ which is another nickname for the British Special Air Service). 

For settings I spend a lot of time looking at images and watching videos on Youtube. I’m lucky, I’ve traveled a lot and, when possible, I use personal experience in my writing. But my last story was set in the Wakhan Corridor and, no matter how much I might want to, there’s no way I can leave my kids while I trek around Afghanistan on a yak. But YouTube has allowed me to visit this fascinating spit of land. 

I also borrow travel guides from the public library—my favourites are The Lonely Planet Guides. And I read autobiographies/essays set in places where I want to set my stories. Once, I remember dripping sweat in the heat of a Queensland summer and shivering as Rick Bass took me on a haunting journey through the wilderness of Montana.

And, for a literal look at the place you want to set your story, try GoogleEarth and get a 360° view. 

Blogs.
Blogs might have gone a little out of fashion, but if you want details about a particular way of life they are worth spending time reading through. I found blogs especially helpful when writing a character who has type-1 diabetes (Cameran Young in EDGE OF SURVIVAL). People talk about everything from their deepest fears to their most mundane routines. Every detail is important when creating realistic 3-D characters. A lot of front-line soldiers blog. Another fascinating blog I found when writing my snow leopard biologist heroine was this.  I found it an invaluable insight into the biologists’ daily routines and common frustrations. 

Books (More books. I love books). 
I also scour the local library search engine and Amazon (Amazon.com and Amazon.co.uk because they list different books). If I find a suitable book I add it to my wishlist and go back and search for it in the library. I do the same with DVDs. Some of my wishlist books have been there for years—they are so expensive I just can’t justify getting them, but every time I see them I remember a story idea. Kids books can be really useful too. I have way too many books, but it will never be enough.

Writers groups.

In terms of delving for facts on anything from death to taxes, writers groups are an invaluable resource. I’m a member of Romance Writers of America (RWA) mainly because I wanted to join their Kiss of Death Chapter (KOD). RWA and KOD give me access to several writing loops where I can ask my questions. I also belong to Crimescenewriters which is a similar resource but free and with more law-enforcement personnel involved. Through these organizations and loops I’ve attended some phenomenal field-trips. Prior to RWA’s yearly national conference, KOD always arrange a tour. I’ve visited a Sheriff’s Department in Reno, the State Department, the US Postal Inspection Service, and other writers visited the Pentagon, Quantico and the Coastguard. Through Crimescenewriters I heard about the Writers’ Police Academy run by Lee Loftland. It’s offered down in North Carolina and offers a packed schedule of hands on experience for wannabe crime writers. This year the keynote speaker is Lee Child, when I went it was Jeffery Deaver :)

Experts.
If you can’t get to a workshop then see if you can find experts in the field you are interested in who will talk to you. I have friends in the secret echelons of the Ministry of Defence and, despite all the dirt I have on them, they won’t tell me a damn thing. I’ve actually found people who I don’t know personally to be more helpful than friends or relatives (I’m not sure what that says about me but what I’m hoping to encourage is the confidence to reach out). I did have a rather hilarious incident recently when I’d contacted a RCMP officer who wrote a newsletter. I then managed to get the email address of the media relations person. I received two replies pretty much on the same day. The former said, “We can’t tell you that sort of information. We don’t want the bad guys getting hold of it and, you’re writing fiction, so you can make it up.” I chuckled so hard I also gave myself a hernia. The second reply had all the details I needed for my story and he was happy with follow-up questions too. So, where possible, reach out to the media relations people from whatever organization you’re interested in. They will help you.

As a former scientist I want to say don’t be afraid of science/medical journals. The Introduction and Discussion sections often contain easy-to-understand information and might just summarize exactly what you want to know. 

I’m way over my word count for this post. I’m going to leave you with one more piece of advice. When you’re writing, your book you should only include the tip of the iceberg in terms of the information you have gleaned. The depth of your knowledge will shine through in the veracity of your writing, not in a dull list of facts.

I hope this helps.

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Toni Anderson, Ph.D., is a former Marine Biologist and Research Scientist turned Romantic Suspense writer who now lives in the Canadian prairies with her husband and two children. Her stories are set in the stunning locations where she’s been lucky enough to live and work—the blustery east coast of Scotland, the remote isolated mining communities of Northern Labrador, the rugged landscapes of the U.S. and Australia. You can learn more on her website. LIKE her on facebook :)

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FUTURE POSTS will cover:
Kindlegraph / the art of research / writing male/male romance / rejection and writer's block / building suspense / writing love scenes / anti-piracy strategies / audio books / interviews with editors and agents / using Calibre.
We welcome everyone's constructive comments and suggestions!