NOT YOUR USUAL SUSPECTS

A group blog featuring an international array of killer mystery, suspense, and romantic suspense writers. With premises and story lines different from your run-of-the-mill whodunits, we tend to write outside the box. We blog several times a week on all topics relating to romantic suspense and mystery, our writing, and our readers. We welcome all comments and often have guest bloggers. All our authors can be contacted separately, too, using their own social media links.

We find our genre delightfully, dangerously, and deliciously exciting - join us here, if you do too!

NOTE: the blog is currently dormant but please enjoy the posts we're keeping online.


Julie Moffet . Cathy Perkins . Jean Harrington . Daryl Anderson . Nico Rosso . Maureen A Miller . Sandy Parks . Lisa Q Mathews . Sharon Calvin . Lynne Connolly . Janis Patterson . Vanessa Keir . Tonya Kappes . Julie Rowe . Joni M Fisher . Leslie Langtry
Showing posts with label New Orleans. Show all posts
Showing posts with label New Orleans. Show all posts

Friday, July 22, 2016

BLENDING TWO WORLDS INTO ONE BOOK

BLENDING TWO WORLDS INTO ONE BOOK – by Kathy Ivan

I was asked by Susan Stoker to participate in her Special Forces: Operation Alpha Kindle World launch. When somebody as hugely popular as Susan personally asked you to write a romantic suspense with paranormal elements?  I wasn't about to say no.  J 

For anybody not familiar with Kindle Worlds, it is an Amazon exclusive type of fan fiction, where an author (or anybody who wants to write) uses characters from the Worlds' creator (in my case Susan Stoker's Special Forces) and incorporates them into their story. 

Well, it's not as easy as you think, especially if you're bringing somebody else's characters into YOUR world.  But that's exactly what I did with Saving Sarah.  I wrote a novella using several characters from her Navy SEALs, and brought them down to New Orleans—where my New Orleans Connection Series takes place. 

My characters remain front and center in the book—which is exactly the way I wanted—but I didn't relegate Susan Stoker's characters to the back burner, either.  My hope is that it is a seamless blending of the two.  So far, readers haven't complained. 

Saving Sarah is the result of this mashup, and I absolutely love this book. It has a curvy, spunky heroine and a sexy ex-SEAL hero!



AMAZON LINK:  http://amzn.to/29WMMA8  

Here's the blurb:
Haunted by memories of war and strangely prophetic dreams, Gaston "Ranger" Boudreau spends his time alone in the Louisiana bayou he calls home. When fellow SEAL, Matthew "Wolf" Steel calls in a favor, Ranger can't refuse—a Boudreau always pays his debts.

Writer Sarah Sloane is in New Orleans on a mission, to find her missing sister. Unsure what she'll uncover, she needs somebody who knows the city—but more, she needs a bodyguard who can keep her safe. One sexy former Navy SEAL might be just the person for the job.

As Ranger's dreams evolve, the dangerous search for Sarah's sister becomes a race against the clock. Can they find her before it's too late, or will their quest cost more than one life?

NOTE: This is an amazon.com exclusive, and is only available on their site.
AMAZON LINK:  http://amzn.to/29WMMA8  
There are also a lot of great authors participating in launching this Kindle World.  Check out their books too.  I'm sure you'll find a whole bunch of them that you'll want to one-click. 
Aaron’s Honor, Lindsay Cross: http://amzn.to/2avS2K4 
Awakening Aubrey, Shauna Allen: http://amzn.to/2aaboFE
Cowboy D-Force,  Elle James:  http://amzn.to/2a1DgMR
Finding Ayva, Elle Christensen: http://amzn.to/2a1DX8Y
Freeing Falcon, Leigh Carman: http://amzn.to/29OxA6k
Marking Mariah:  Liz Crowe:  http://amzn.to/2avSgAQ
Protecting Beauty, MJ Nightingalehttp://amzn.to/2avSWWJ
Protecting Love, Maryann Jordan http://amzn.to/2avSCHB
Protecting Maddie, Desiree Holt: http://amzn.to/2a1E30b
Protecting New York, Lainey Reese:http://amzn.to/29W4twP
Redemption for Avery, Jordan Dane:  http://amzn.to/2avTxHQ
Redemption for Misty, Anne Conley: http://amzn.to/29W52qo
Rescuing Pandora, Kori David:  http://amzn.to/2avTZWR
 Happy Reading!

Kathy




Friday, June 10, 2016

Cemetery Stories



People often ask me where I get my ideas for stories. Of course, all fiction stems from the imagination and the simplest answer is that I make it up. But the imagination is not an bottomless pool of ideas--like anything else, it needs to be fed. So when not actually scribbling away, I'm busy replenishing the toolbox of imagination.

One sure way to get my creative juices flowing is a visit to an old graveyard. From Wolfe's Look Homeward, Angel to Gray's Elegy Written in a Country Churchyard, writers have sought inspiration in these cities of the dead. Join me for a little tour of some of my favorite spots.
Is she looking homeward?
The Angel of Peace
Forest Hills Cemetery,  Boston
This contemplative angel brought to mind the sad lyricism of Thomas Wolfe,
You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile....back home to the old forms and systems of things which once seemed everlasting but which are changing all the time--back home to the escapes of Time and Memory--Thomas Wolfe
A penny for your thoughts?
Antietam Cemetery, Maryland
The Battle of Antietam on September 17, 1862, was  the bloodiest day in American combat history with over 23,000 casualties on both sides. More than twice as  many Americans were killed or mortally wounded in combat at Antietam that day as in the War of 1812, the Mexican War, and the Spanish-American War combined.

Previous visitors had left coins on many of the soldiers's headstone. Most were pennies, though I spotted a few nickles. Was this a fee for the ferryman or was there some other meaning?

Later I read that coins left at grave sites held a special meaning for the military dead, with each denomination meaning something different. But it all comes down to remembrance, which is the last gift the living give the dead.
Antietam Battlefield
City of the Dead, with luxurious above-ground accommodations,
courtesy of Marie Laveau
Lafayette Cemetery, New Orleans
Mark Twain was much impressed with the neat necropolises of New Orleans:

Many of the cemeteries are beautiful, and are kept in perfect order. When one goes from the levee or the business streets to a cemetery, he observes... that if those people down there would live as neatly while they are alive as they do after they are dead, they would find many advantages in it; and besides, their quarter would be the wonder and admiration of the business world.

I was touched by these dual headstones in Copp's Hill, the grave site of two young brothers, one-year-old Josiah and his three-year-old Nathaniel, who died on the same bleak November day in 1721.In not too long a time, the writing on the stones will be erased.
Copp's Hill Burying Ground
Boston
I have heard it said that parents in olden days didn't mourn their lost children as we do because childhood death was so common. What nonsense! Here is the Puritan poet Anne Bradstreet lamenting the death of her infant  grandson, who died being but a month, and one day old.
No sooner came, but gone, and fall’n asleep,
Acquaintance short, yet parting caused us weep;
Three flowers, two scarcely blown, the last I’ th’ bud,
Cropt by th’ Almighty’s hand; yet is He good.
With dreadful awe before Him let’s be mute,
Such was His will, but why, let’s not dispute,
With humble hearts and mouths put in the dust,
Let’s say He’s merciful as well as just.
He will return and make up all our losses,
And smile again after our bitter crosses
Go pretty babe, go rest with sisters twain;
Among the blest in endless joys remain.
 
Memorials aren't limited to angels and headstones. When Grace died at five years old from whooping cough, her lifelike statue was encased in glass, where it remains as pure and unblemished as the day it was created. From her expression, she must have been a serious little soul.
Forest Hills Cemetery
Boston

Some statuary borders on the whimsical--check out this pair of beds.
This might just be a straightforward representation of the actual beds of the deceased, but every time I look at this picture I think of Prospero's words, when he realized the party was indeed over.

Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and our little life
Is rounded with a sleep.


I bet Shakespeare visited a graveyard or two in his day!

Sweet dreams.


Wednesday, May 25, 2016

I'm an anomaly. I freely admit it. Unlike everyone else I know, I rarely travel. Exotic places around the globe have never been graced with my esteemed presence. Other than an occasional writer's conference, you will rarely see my eyeballs outside of the town where I live.
But writers write about places other than where they live, right? If I only wrote about the town where I live, trust me, most of you would be bored out of your minds. There's not a whole lot shaking around here.

I'm a voracious armchair traveler, though. Through the magic of books, I've visited many places around the world. I've been to some of the most exotic locales on earth without leaving the comforts of home.

I've walked on the beaches in Hawaii, my toes curling in the black sands while the crystal blue waters lap gently, each wave curls against the shore. The trade winds blow a soothing breeze, and the scent of hibiscus and plumeria fill the air.

I've strolled along the Champs-Elysees in Paris, smelled the freshly baked bread and pastries. Jumped back as reckless drivers sped through the streets and dined at sidewalk cafes across from my love on a romantic getaway for two, while sipping champagne and sharing intimate moments.
I've visited the pyramids in Egypt. Slalomed down the Alps. Gone deep sea fishing off the Florida Keys.


Good writers transport me (and hopefully you, too) to places we might otherwise never see through the magic of their words. They bring alive the sounds, scents and tastes of every element, so much so that if you were to close your eyes for just a moment, you'd find yourself transported deep within the pages of the story—feel as though you are right there with the hero and heroine—experiencing every nuance of their surroundings.

This is what I try to bring to life when I'm writing. My romantic suspense books are set in and around New Orleans, Louisiana. The French Quarter. The Big Easy. Just hearing the name of the place evokes preconceived notions of what it's like. I want you to hear the Cajun and Creole dialect in the words. Feel the energy of the crowds on Bourbon Street at night. Experience the joy and excitement of Mardi Gras. Smell the spicy jambalaya so hot and fresh it makes your mouth water for the first bite.

So, the next time wanderlust strikes and you can't physically get away on some tropical escape—step within the pages of a book and fly away.

Kathy Ivan is busy writing her next New Orleans based romantic suspense, and wishing she was there. Her current release, Sex, Lies and Apple Pies released yesterday as part of the Summer Heat box set and is on sale for release week for $.99 at most e-book retailers.

Friday, November 13, 2015

Story Ideas Galore!

So in my last post, I talked about my upcoming vacation to New Orleans, how I was hoping the trip might generate a few story ideas. And I promised to follow up. Well let me tell you -- the Big Easy is rife with fodder for this author!

Where do I begin? The vacation was amazing. We rented a house built in 1850 that was a block off Bourbon Street. I swear the place was haunted. Pictures can't do it justice, but it had twenty-foot ceilings and period antiques. Here's a glimpse of the living room:

Just walking through the place, touching the mardi gras masks and beads, looking at the family portraits on the walls, sparked ideas for story settings.

Our tour of the French Quarter led us past famed restaurants and bars, past street bands and through a cemetery where we glimpsed the tomb of famed voodoo queen Marie Laveau.

Walking along Bourbon Street, I took in the loud, rowdy bars, the tipsy women wobbling in too-high stilettos and the drunk men weaving through the crowds. It was all great for setting, but where were my characters?

On the third day we wandered along a side street in search of a store that had been recommended to us called Esoterica, a place that was supposedly full of authentic witchcraft supplies. The hours posted on the door said the shop should have been open for another hour, yet it was locked.


Another group stopped and tried the handle. One of the women tipped her chin at the Harley parked out front. "Mimi's still inside. That's her bike," she said.

Another lady shook her head. "She makes her own hours. You don't screw with the voodoo queen of New Orleans." With that, the group walked on.

My curiosity was piqued, and I was bound and determined to meet this new Harley-riding voodoo queen who inspired such fear. So we returned the following day. And I found my character.

The shop was like nothing I'd ever seen.
There were spell kits and shrunken heads and powders and potions of every kind.

But Lady Mimi was the most interesting thing in there. With hair as black as a raven and violet eyes that put me in mind of Elizabeth Taylor, she was stunning, but frightening at the same time. Standing about five-feet-two, she had a powerful voice that could raise the hair on the back of my neck. She spoke so fast that I had to really pay attention and tune out everything else lest I miss something, because I had the feeling that anything she said could be a pearl of magical wisdom.

She practically floated through the store, moving at breakneck speed, showing us this and that. When my husband asked for a tarot reading, she asked my friend and me to, "watch the store and make sure no one carried the place off."

More than a little surprised, we agreed to mind the store while she did the reading, which ended up taking about an hour. After she was finished, she gave us all advice on how to start every day with positive energy using what she called the Star Exercise. And it actually works. When I've had stressful moments since the trip (and there have been many), I resort to that exercise and I get instant relief.

Before we left the shop, Mimi asked where we were staying. Turned out there was going to be a parade that night that went right past our house, and Mimi was going to be on one of the floats as a dignitary.

Sure enough, it did go right down our street. Mimi threw all sorts of beads and candy out for us.

But that was the least of what she gave me. Mimi will turn up in a future book, or perhaps even a series of books. Yeah, there's that much to her. She definitely cast her spell on this writer.



Friday, May 29, 2015

Research and Other Killers

by Janis Patterson
I don’t care how hard you research your facts, how meticulously you look things up, you’re going to miss something. And once the book is out someone will call you on it. Sometimes someone will call you on it even if you’re right.

Sigh.

Research is necessary to make your book as true to life as possible – and that is important. Writers who ignore facts show their readers an insulting disrespect.

However, sometimes no amount of research turn up the facts that you need. Until lately I have been working on a mystery set in 1916 New Orleans called A KILLING ON BASIN STREET. Now most of the things I need to know are fairly easy to find – New Orleans history and WWI are well-documented. Some things, though, are not. One of them is whether the 1916 Jordan Sport Marine automobile started with a self-starter (a dashboard button not too different from what we have today) or with a crank. I need it to start with a self-starter, but no one – and I mean NO ONE – seems to know which. I’ve talked to car enthusiasts and classic car clubs and professional organizations both in the US and abroad. No one knows. 1916-17-18 were the years of transition from cranks to self-starters, but I cannot pin down a date for the Jordan Sport Marine.

I’ve been asked why I just don’t change the automobile to something which I can verify, but I don’t want to. The Jordan Sport Marine was a wonderful, ground-breaking car which wouldn’t look bad on today’s highways, and which is the perfect car for my heroine to have, both cost and image-wise. Sigh. Anyway, I have solved the problem and, like many of my betters, will take refuge in obfuscation. I have put in that the car my heroine drives is ‘an advanced experimental model.’ Remember, weasel-words are our friends!

I will admit that I sometimes take research perhaps a mite too far. I said I had been working on A KILLING ON BASIN STREET until recently. It immediately got pushed to the back seat when an opportunity came to visit and actually stay at the dig house on an Egyptian archaeological excavation. Civilians NEVER get invited to stay at a dig house. First of all, the director (my dear friend Dr. Dirk Huyge) had to get permissions for us from two branches of the Egyptian government – the Ministry of Antiquities in Cairo and the Aswan Governate.

Dirk and I had been chatting sporadically about doing a mystery set at the dig house, and I had a plot in mind. So, when he asked, The Husband and I went. (Duh!)  Being there made all the difference. I had seen pictures of the house, and read about it, but the reality was totally different than my imaginings. Now when I write on A KILLING AT EL KAB (and I’m over 20,000 words in) in my mind I can actually walk the halls again, sit on the terraces and watch the timeless Nile flow by, and see all the archaeologists hard at work. It’s not as good as actually being there, but it’s still wonderful. And real.


And I don’t have any illusions that there won’t be someone who tells me I am wrong about something. It’s inevitable.

Monday, April 6, 2015

THE PERILS AND PLEASURES OF WRITING SERIES - By Kathy Ivan

I've been doing a ton of writing recently.  In fact, I released three books in March, all at the same time.  (Insanity – trust me, doing marking and promotion for three releases at the same time is the definition of insanity.)  But through it all I figured out I really like writing series.

There's a lot to be said for staying in the same world you've created.  Then again, there are also a lot of headaches at the same time.  I thought I'd share just a few of the things I've noticed about writing series.

THE PERILS
1.  Keeping the world you've created straight.  For example, I've set my series (New Orleans Connection Series) in and around New Orleans.  A lot of the places are real actual places and tourist destinations which are familiar to the readers as well as the people who actually live there.  But it's also my world in that I've created certain things which are unique to it.  Theresa's New Age shot.  Max's PI office.  The police department division/station where Remy works.  The DEA office where Branson, Macie and Carlo do their jobs.  These places that I've created have to be the same from book to book.  I cannot change the street where they're located.  I can't say at one point something is in the French Quarter and the next book say it is in Downtown New Orleans – because they aren't the same place. 

2.  Keeping your characters appearances consistent from book to book.  You can't have somebody start out with brown hair and brown eyes and suddenly two books later they've got brown hair and blue eyes.  Readers are sharp and they catch things like that—especially if it happens to be one of their favorite characters. 

3.  Timelines.  This can be tricky especially if your characters carry over from one book to the next.  For example, Remy Lamoreaux has been in all of the books in this series.  I needed to make sure that he wasn't engaged or married before we got to his actual story (Relentless Pursuit).  I've learned to keep a chart on the computer that I can easily access with each main character and their characteristics like hair color, eye color, body type, profession, which books they show up in, and who they are with/dating/seeing in each book until they get their own story.   It's also good to keep track of secondary characters, because you never know when they're going to turn up in another story or demand a book of their own. 

THE PLEASURES:
1.  I love having characters I've written about in one book show up in other books in the series.  It's like visiting with old friends, because I've already told their story and we get to see how life is changing around them.  Although each one of my books can be read as a standalone story, characters do show up from book to book, which I think makes for an interesting mix.  For example:  Relentless Pursuit introduced the readers to our heroine, Jennifer "Jinx" Marucci and her brother, Giancarlo "Carlo" Marucci.  This was Remy and Jinx's story, but Carlo plays a part.  So the next book (Ultimate Betrayal) became his story.  And in his book, you'll see appearances by Remy and other characters mentioned in previous books.  I think the readers enjoy having a feeling of knowing these people already, and it grounds them into the book in a way they wouldn't normally get from a standalone, where they're being introduced to characters they've never met before. 


2.  In a series you have the freedom of familiarity.  A reader can plunge right into the book, especially when they've read the preceding one, and pick up pretty much where that left off.  It's like watching your favorite television series – a new book is like a new episode with the people you've come to know and love having that episode focus on them.  Let's take Castle for an example.  One week the story might focus on Castle and Beckett.  The next week it might focus on Esposito and Lanie.  The next week about Ryan and his wife.  (I'm not talking serials here which are continuing sagas usually with the same people, but rather series where in every book I do has a different hero and heroine and they find their happily ever after, but the crossover characters keep the readers reading and happy.) 

3.  With a series you can bring the reader closer to the characters they love.  I wrote a short novella (Keeping Secrets) where I sprang a surprise wedding on the heroine (of a previous book) and had the heroes and heroines from previous books all there and taking part in the surprise.  Readers loved, loved, loved finding out what happened because this short book let them know the couples they've rooted for and agonized over got their HEA and are still together after the end of their respective books. 

There are lots more reasons, too numerous to mention in this post alone.  So, for all of you who read or write series, tell me what you like and/or don't like about writing them. 


Kathy Ivan is currently hard at work on her next romantic suspense in the New Orleans Connection Series.  You can find her on Facebook at www.facebook.com/kathyivanauthor and on twitter at www.twitter.com/kathyivan 

Wednesday, August 20, 2014

THE ARMCHAIR ROMANTIC - by Kathy Ivan

I'm an anomaly.  I freely admit it.  Unlike everyone else I know, I rarely travel.  Vacations?  What is that?  Exotic places around the globe have never been graced with my esteemed presence.  Other than an occasional writer's conference, you will rarely see my eyeballs outside of the town where I live. 

But writers write about places other than where they live, right?  If I only wrote about the town where I live, trust me, most of you would be bored out of your minds.  There's not a whole lot shaking around here. 


I'm a voracious armchair traveler, though.  Through the magic of books, I've visited many places around the world.  I've been to some of the most exotic locales on earth without leaving the comforts of home.

I've walked on the beaches in Hawaii, my toes curling in the black sands while the crystal blue waters lap gently, each wave curls against the shore.  The trade winds blow a soothing breeze, and the scent of hibiscus and plumeria fill the air. 

I've strolled along the Champs-Elysees in Paris, smelled the freshly baked bread and pastries.  Jumped back as reckless drivers sped through the streets and dined at sidewalk cafes across from my love on a romantic getaway for two, while sipping champagne and sharing intimate moments.


I've visited the pyramids in Egypt.  Slalomed down the Alps.  Gone deep sea fishing off the Florida Keys. 

Good writers transport me (and hopefully you, too) to places we might otherwise never see through the magic of their words.  They bring alive the sounds, scents and tastes of every element, so much so that if you were to close your eyes for just a moment, you'd find yourself transported deep within the pages of the story—feel as though you are right there with the hero and heroine—experiencing every nuance of their surroundings.


This is what I try to bring to life when I'm writing.  My romantic suspense books are set in and around New Orleans, Louisiana.  The French Quarter.  The Big Easy.  Just hearing the name of the place evokes preconceived notions of what it's like.  I want you to hear the Cajun and Creole dialect in the words.  Feel the energy of the crowds on Bourbon Street at night.  Experience the joy and excitement of Mardi Gras.  Smell the spicy jambalaya so hot and fresh it makes your mouth water for the first bite. 

So, the next time wanderlust strikes and you can't physically get away on some tropical escape—step within the pages of a book and fly away. 

Kathy Ivan is busy writing her next New Orleans based romantic suspense, and wishing she was there.  Her current release, Connor's Gamble, is on sale for the next two days for $.099 at most e-book retailers. 


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