NOT YOUR USUAL SUSPECTS

A group blog featuring an international array of killer mystery, suspense, and romantic suspense writers. With premises and story lines different from your run-of-the-mill whodunits, we tend to write outside the box. We blog several times a week on all topics relating to romantic suspense and mystery, our writing, and our readers. We welcome all comments and often have guest bloggers. All our authors can be contacted separately, too, using their own social media links.

We find our genre delightfully, dangerously, and deliciously exciting - join us here, if you do too!

NOTE: the blog is currently dormant but please enjoy the posts we're keeping online.


Julie Moffet . Cathy Perkins . Jean Harrington . Daryl Anderson . Nico Rosso . Maureen A Miller . Sandy Parks . Lisa Q Mathews . Sharon Calvin . Lynne Connolly . Janis Patterson . Vanessa Keir . Tonya Kappes . Julie Rowe . Joni M Fisher . Leslie Langtry
Showing posts with label i-spy. Show all posts
Showing posts with label i-spy. Show all posts

Thursday, June 1, 2017

I-SPY Free Books?? How, Where, and What to Watch out for!


Join the authors and friends of Not Your Usual Suspects for an occasional series of posts about their world of reading, writing and publishing.

Short and sweet, hopefully both informative and entertaining - join us at I-Spy to find out the how's and why's of what we do.


TODAY'S POST: I-Spy something beginning with ... Free Books!




Instafreebie/bookfunnel campaigns - and please accept those example names in this post as relating to ANY other similar sites - have recently burst on the scene, as a way of offering free books in multiple formats

As a reader? They're great! I've been able to download backlist books from authors I love, and sample new books from authors I've yet to "meet". Admittedly there are some drawbacks, even when the product is free:
* some books are poorly presented and written. I DoNotFinish, and avoid that author in future, but it means having to trawl through some dreck to find the gems.
* my Kindle is so full after a campaign that it takes me ages - if ever - to get around to reading all the new books! It does slow down my buying habits, which you could take as a good or bad thing.
* and I get myself subscribed to future free offers and early sneak peeks from the author.

As an author? It's a very useful marketing tool.
* if you send out Advance Reader Copies for a new book, this is a quick, low workload, and efficient way to do it.
* you can personalise the copies - in case one gets into the hands of book pirates, you can track where it came from,
* you can use a giveaway campaign to increase your mailing list, to attract future fans. You can set conditions to your giveaway, where the subscriber can choose to - or must - subscribe. Then the free book program will connect them to your list on the platform you use for newsletters e.g. MailChimp.


So, but... what happens when the Honeymoon is over??

As a reader: Some authors are too pushy for me, following up with weekly newsletters, often checking in on me to see if I've read the book / what did I think / can I leave a review / do I want to hear about the next project?
In most cases, the answer will be positive, but I'd like to choose my time to engage. Gradually, I peel away the newsletters that *don't* appeal to me. After all, we can all use the internet to follow up on a new treasured author, at our own time.

As an author: I recently banded together with 80 other authors for just one week, offered a self-published backlist novel, and doubled my newsletter subscriber list to 1000+! Of course, it meant I gave away a whole bunch of books for free (though it was a slow-moving title in the first place). Nor is it just a numbers game - I can only hope it generates some new reviews, or interest in my other books. It's difficult to measure that success or not, but exposure for my author name is always a plus for me.
And a small percentage of the newsletter subscribers gradually peel away, just like I have done myself.

There are conditions to Instafreebie, and they do monitor drastic ups and downs on an account, in an attempt to minimise spammers using them. However, it's relatively easy to set up and use, and the basic account is free, though you have to pay a modest monthly subscription if you want to link your giveaway to your mailing list (which I think currently is worth the money for me).

And a plea? If you do subscribe to newsletters and then want to unsubscribe, please be careful not to tick the reason as being "inappropriate" or "spam", if all you want to do is back away amicably. Choosing those options (unless they're true, of course!) can flag up the author and cause them to lose their account.

Overall? I recommend it as a great way to share free fiction, meet new books and authors - because they're appearing every day in their multitudes! - and also reach out to readers of your own with writing updates, fun news and treats. You know, NOT everyone spends 12+hours of the day online like me *cough*, so a newsletter is a valuable way to reach new, and unique, readers.

And everyone loves the occasional free book, right? :D

~~Clare London~~
www.clarelondon.com
And my newsletter is HERE!


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FUTURE POSTS will cover:
What would you like to know more about?
We welcome everyone's constructive comments and suggestions!

Wednesday, March 1, 2017

I SPY: FIGURING OUT SOCIAL MEDIA


When I started out writing my first book in 1991, there was no such thing as social media. An author wrote a book, got an agent or sent a manuscript to a publisher ourselves where it went into what was known as the "slush pile." After writing the book, the biggest responsibilities we had were edits, proofs and an occasional book signing. Maybe once or twice a year, I sent a newsletter. That was it.

Fast forward to today's world for writers. Authors are required to be savvy marketing specialists. We must network. We must advertise. Our presence on social media is critical. We need to be everywhere. We require a profile on every platform (some personal, some business). We should act natural, but fascinating, and interact in a friendly, responsible and yet exciting way so everyone will find us and our books irresistible and buy oodles of copies.

Aaagh! It's too much. How do we sort it all out?


Every marketing specialist seems to have a different view of what platforms authors need to cultivate to sell books. I'm not here to tell you which one to choose (I can barely make that decision for myself), but at least I can give you a general idea of some of the more popular ones, as of 2017, and what kind of audience you are catering to there. Armed with that knowledge, hopefully you can determine which ones you are the most comfortable with and where you want to invest your time and presence.

For the purpose of this article, I'm not going to address messaging apps such as Whatsapp, QQ, Skype, Viber and WeChat since those are more for personal, interactive communication. This article is directed more for writers who are trying to judge where to spend their most time on social media with the most return on their investment, depending on their unique needs, audiences and comfort level.

Facebook: It's the largest of the social media sites. It surpassed 1 billion users worldwide A MONTH in 2016. I feel pretty confident in saying that if you're an author and you don't have a presence there -- you should. If you decide to go this route -- get a business page. A personal page is optional, but you should claim a page for your books and start building a base. Keep in mind, Facebook users tend to be older, about 35 and up. Not to say there aren't younger people here, too, but this is not their hangout of choice.

Tumblr: I didn't realize how big Tumblr is, but it has more than 555 million users monthly worldwide. That's pretty darn huge. This site is primarily for bloggers, but you can use it to post anything -- photos, recipes, your latest blog or whatever. The age range for this platform is all over the place for this one, because it caters to bloggers, young and old.

Instagram: Instagram is largely a video and picture-sharing platform. This platform is slightly skewed toward younger viewers who enjoy looking at photos or videos without having to read too much. Facebook now owns Instagram, so if you have Facebook, you can easily and simply integrate your accounts. There are about 400 million users a month.

Twitter: This is a challenging platform for writers because you only get 140 characters to say what you want to say. This platform is quickly gaining in popularity because brevity is key with this platform. There are also lots of advertising opportunities and it is evenly divided between younger and older users, which is a good way to all ages in one swoop. As of the end of 2016, Twitter had about 320 million monthly users.



Google+: I have a nephew who works at Google, so of course, I have a Google+ account. Unfortunately, other than to talk with him, I don't use it. It's similar in some ways to Facebook, but not nearly as popular. However, it does has cool video-conferencing features and the ability to advertise using business pages. I personally think this is an untapped market, for me at least. There are about 300 million users.

Snapchat: If you have a YA book or want to reach out to a younger audience, you need to be here. It's all about the pictures. Photos stay up only for a brief time and then are deleted as soon as you view them. It's a fast and furious environment, but in addition to posting photos, you can access news and live recordings. This is a very fast growing platform with about 200 million users a month. I think it's only going to get bigger faster. I would recommend snagging a profile now and worry about figuring it out later (okay, that's my plan, not that I'm EVER going to get it figured out).

Pinterest: This platform grew out of the craft industry and is a great place to "pin" ideas for travel, cooking, writing and a variety of other projects. It's visually-based with pictures of your ideas instead of text. Approximate users -- around 100 million users a month. Audience tends to be a bit older.

LinkedIn: This is a professional networking site and is focused on interacting with the intent of connecting people for professional and industry reasons. It is evolving in many ways, but it doesn't hurt to post a profile on the page. There are about 100 million users a month.

YouTube: Got a book trailer? Want to enhance your sales by talking directly to your fans with a recorded video? Then YouTube may be the way to go. Create your own channel and post your own videos. Who know? Maybe you can become the next Internet sensation. This is the world's largest video-sharing site. It's very popular with the younger crowd, but older people are also becoming more and more invested.

Stage 32: This is a social network similar to Facebook, but for individuals who work in film, screenplays, television and theater.

Wattpad: This is an online storytelling social media site where you can post excerpts of your books or works in progress. Very popular with a younger crowd, but it is gaining more traction with older folks as well.

There are literally dozens, hundreds, more sites, but I wanted to outline the most popular ones for you. Keep in mind, many of these platforms can be linked together, so one post can go to a multitude of places. I would recommend exploring that option if you can.

For example, my Facebook Author page is linked to my Twitter profile. My Instagram account is connected to both my Tumblr and Twitter accounts. I have a LinkedIn profile (although it more prominently features my day job position) and my own YouTube channel. I have Pinterest, Google+, Wattpad and Snapchat accounts, too. Do I have a clue what I'm doing on all of them? Absolutely not. Am I active on all of them? Nope. In fact, I haven't even figured out how to get a profile picture on Snapchat yet. Aaagh! But I'm pretty active on a few of the social media sites where I feel comfortable. I do try to post something occasionally on everything else.

I think everyone has to figure out what works best for them. Hopefully, I've given you a little knowledge to show you where the most people around the world are showing up.

Sooooooo...good luck! Oh, and by the way, if you want to follow or "like" me on ANY of my platforms listed below, feel free to click on them! I'll follow or like you back. :)

Julie's Facebook Author Page
Twitter
Instagram
Tumblr
Pineterest
Stage 32
Wattpad: (You have to download the app on your phone. I'm: @JulieMoffettAuthor).
Snapchat: (You have to download the app on your phone. I'm: juliemoffett4)


Julie's latest book, NO LIVING SOUL, featuring geek extraordinaire, Lexi Carmichael released on January 2, 2017 and is available across all online platforms. Click here to see the book on Amazon.




Sunday, November 1, 2015

Social Media - extra savvy

I-Spy: Social Media - extra savvy


Join the authors and friends of Not Your Usual Suspects for an occasional series of posts about their world of reading, writing and publishing.

Short and sweet, hopefully both informative and entertaining - join us at I-Spy to find out the how's and why's of what we do.
Today’s Post: Social Media - extra savvy…with Clare London

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Social Media yadda yadda - we all know we have "Be In It to Win It". And yet many of us struggle with the time, know-how and energy to reach out to our readers as much as we'd like (or are told to *g*). This is a post with some of the Shortcuts and Tips I've found recently that may help us all keep up. They're in no particular order of importance, not exhaustive, and there are alternatives in each case that you can search out if you prefer. But I can recommend these as easy to use - because I've used them :).

And please feel free to share anything useful YOU'VE found, in the comments.


Prepare/Schedule your content

HTML-ing: Can't get the right look for your blog post? Not all online editors give you all the options at the touch of a button. It's always useful to have some basic HTML knowledge, if only to highlight a phrase in a different colour, or check "behind the scenes" to see what stray code is making all your first paragraph appear in BOLD.

Here are some sites with the basic commands (you don't need more to start with) including a useful chart of the codes for colours. (Many other sites are available, too).
http://www.w3schools.com/html/html_basic.asp
http://www.htmlgoodies.com/primers/html/article.php/3478131
http://www.w3schools.com/html/html_colors.asp


Booklinker: set up one single Amazon link for your book that will lead automatically to the right country's site, when a buyer clicks.
http://www.booklinker.net/login.php

QR codes: these are the spotty squares that allow people to buy things on their smart phone. Set one up easily for a book and add it to your website or promo postcards.
http://www.qr-code-generator.com/

Amazon carousel: Make the most of your eye-catching covers on your website (for between 6-10 covers).
https://widgets.amazon.com/Amazon-Carousel-Widget/
Update Nov 2015: Amazon have now withdrawn this widget :(.

Slideshow: Create a slideshow of your covers, or as part of a promo tour. It can be embedded into your website or blog. I can't find many free sites nowadays, but this is one still in use that's easy to use.
http://www.kizoa.com/



Advertise and Sell

LINK!! One of the most important thing (in my opinion) is to offer links every time someone visits you and/or your book. If you blog, offer "share" links. Your blog will offer that option in the settings.
If you blog about a new release, include BUY LINKS! There are a couple of ideas in this post on setting them up easily.

Short and Sweet: use these sites to shrink your book's long URL link into a quick 'n easy format.
https://bitly.com/
http://tinyurl.com/

Blog Post Feed: for the click of a button on your blog settings, you can get it to feed automatically to Facebook, Twitter, Google+, Goodreads, Amazon Author Page (that's my experience with Wordpress, yours may vary). So one post hits many outlets with no extra effort from you.

Schedule: Most blogs offer a scheduling option, so you can write your blogs when you have time (private author joke *g*), but can then set a different time for it to go live.
You can also schedule Tweets to post periodically, for example during a new release week. I know a lot of people use and recommend these options, though I haven't used them myself.
http://signuptoday.hootsuite.com/br-pro-ent-gbr-english/
https://tweetdeck.twitter.com/

YouTube: It's astonishingly easy to record on your phone / PC / tablet nowadays and then upload it to YouTube. I've used it for an author reading of an excerpt and a book trailer.
https://www.youtube.com/

Competitions: If you run a giveaway, consider using Rafflecopter to collect entries and choose your winner. You can specify what people have to fo or post, to qualify for an entry e.g. you can gather likes for your FB page, or ask for comments on the blog.
https://www.rafflecopter.com/rafl/ppl/login/?next=/rafl/

Amazon Author Page: A must-have! when Amazon (allegedly) accounts for almost 80% of all book sales. All your books on one easy page! All it needs is a photo and a bio. Then log in, go to "add a book to my bibliography", search for your books by name, then tag them "this is my book".
https://authorcentral.amazon.com/gp/home
You can also feed your blog to this page (see above) and (I believe) post videos.

Authorgraph: set your books up on this site for readers to contact you for a virtual autograph.
https://www.authorgraph.com/


Keep an Eye on Things

How are your sales going? Are you attracting visitors to your blog? It's difficult at the best of times to measure the effect of marketing, but here are some tools.

Track Amazon: This site will track sales of your books on Amazon. It's not 100% accurate (in my opinion) but is a judge of what's selling, especially as you have to wait months to see the same results on a publisher statement.
http://www.novelrank.com/

Newsletter: set up an occasional newsletter to notify loyal followers.
http://mailchimp.com/

Gossip!: see if anyone's talking about/reviewing you. Set up a Google Alert for your pen name and books.
https://www.google.co.uk/alerts

Website statistics: most blogs and websites offer a counter facility to measure visitors, their location, and what pages are popular. But
https://www.google.co.uk/analytics/standard/

Klout: this is a new platform I haven't tried yet, but it looks like it organises your posts, and also measures the responses. Let me know if you're using it and what'd good about it!
https://klout.com/home

Good luck, and here's to savvy social media users!



~Clare London~
www.clarelondon.com



Saturday, August 1, 2015

Refresh an Old Title

Join the authors and friends of Not Your Usual Suspects for an occasional series of posts about their world of reading, writing and publishing.

Short and sweet, hopefully both informative and entertaining - join us at I-Spy to find out the how's and why's of what we do.

TODAY'S POST: I-Spy something beginning with ... Refreshing a "Stale" Title

This subject resonates with me, I must admit! I've posted here my own comments and opinions, but some of the the source material is gratefully credited to the Book Marketing Expert newsletter.


We'd all like higher sales figures - but for many authors, they're getting harder to find. Books are popular and in the public eye for a brief moment, then consigned to the backlist, as the readership looks for the new shiny.

But what about reviving some of those older books and starting to make sales on them again? Most of us who have been writing for a while are sitting on a lot of content and a lot of older books that are taking up virtual shelf space on Amazon. I know I regularly come across readers who've never heard of me (amazing, I know! LOL) or who don't know I have many more books in the market.

You have many options now to revive, renew and even re-release a book with minimal effort. Many of our books are with publishers, so at all times you'd need to check your contract before trying out a new scheme. But many publishers - especially the indie publishers who deal largely in e-books - are often open to suggestions that will benefit both you and them with higher sales.

Release it in eBook: Many authors with older titles haven’t done anything with them digitally and now is the time to do this. If you are someone who’s been published by a traditional house, see if they have the rights to your digital content. Many old contracts don’t have this provision so be sure and check. Maybe you have the option to take back those rights, or at least re-negotiate them with your publisher. And if you're in self-publishing, you'll have worked out the logistics of producing an ebook already. Find a new cover, consider a new edit, add some review quotes - and there you are.

Release it in Audio: This is an increasingly popular market. It's relatively expensive to do as an individual, but you may consider it an option - or one to discuss with your publisher. Many readers are re-finding joy in listening to books, even ones they've already read in print!

Bundle eBook:  A long book can be separated out and put up as separate novellas on Amazon. Make
sure you have a page in the back of each book that leads the reader to the next book in the series. This will also open up new options for promotion and reviews, too. Consider virtual "box sets" too, if you have a popular series, or your publisher can group similar titles together in a new version. Here's a picture of a box set my publisher recently launched, including my older suspense novel "72 Hours", grouped with other novels published in that same year.

Change the cover: I combined two earlier books into one in 2010 - "Branded" - with a brand new cover. Sales started moving up again. It’s not an Amazon algorithm thing per se, but it’s often the newly, refreshed content that helps to spike visibility of the book because it looks new to readers, especially if your book is genre fiction. Readers are always on Amazon looking for a new book to read so it’s a great way to grab their attention. "Branded" is being re-issued again in 2016, under a new imprint at my publisher, as it's more suitable there. It's been an opportunity to re-edit it, too. So now it's going for its third launch LOL.

Short is the new long: The joy of e-publishing is that you can publish works other than novels. Consider novellas with your popular characters; seasonal short stories; interview posts. Make sure all of the new product offers links back to the older books. Over a period of 4 years, I followed an old 2009 novel "True Colors" with 3 sexy short stories for the main romance pairing, and then a follow-up novel for the secondary characters. In all cases, sales of the original novel bounced back up.



In conclusion : There’s a lot you can do with a book that’s been out for a while. As long as the content is still relevant there’s almost nothing you can’t do to it to revive it and give it a second chance. Keep in mind that once you do revive it, you can start to pitch it or, in some cases, repitch it to reviewers. A new book is like a clean slate. Make the most of it!  

Do you have any ideas on how to revive a "stale" title? Let us know!

~~Clare London~~
www.clarelondon.com


Credit to: 
Book Marketing Expert newsletter/Author Marketing Experts

Tuesday, February 10, 2015

Electronic Notebooks



Join the authors and friends of Not Your Usual Suspects for an occasional series of posts about their world of reading, writing and publishing.

Short and sweet, hopefully both informative and entertaining - join us at I-Spy to find out the how's and why's of what we do.


TODAY'S POST: I-Spy Paperless Notebooks...

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A few years ago I read an article about an attorney who had gone paperless in his law practice. The attorney used an electronic notebook: the Microsoft OneNotebook program. Intrigued, I checked my laptop when I got home. Lo and behold, OneNotebook was listed in my Microsoft programs. At first, I set up notebooks to contain research for a  book I was writing at the time.  Rather than filling notebooks/folders with printed material, I copied and pasted online material into labeled sections.

At the conclusion of the book, I realized I didn't have a mountain of paper to file or toss.  Hmmm.  When I began my next book, I decided to set up a full blown electronic notebook. They function like any other paper' notebook. You can have as many sections as you wish; above is a screenshot of the tabs I used for Her Dark Protector. 




Same thing for subsections; have as many as you need:


I now have an electronic notebook containing all the common templates I typically used, including a plotboard. 



The beauty is the 'page' is as wide or long as you need. The section grows with added material.  Photos can be copied as well.  Here's one of the research pages where I pasted a photo of the motorcyle ultimately used in Her Dark Protector.



An obvious benefit of an electronic plotboard is the portability. Grab the computer and go; all your research, charts, etc. at your fingertips. Use different colors, fonts, etc. to help highlight turing points and POV's. As I write/review/revise a manuscript, I'll note them like below.



Whenever I run across an intreresting online article about writing or other frequently used topics, such as criminal investigation, I send it to a special topic notebook.

I've become such a believer in the digital notebook that I now use them at work. With Outlook I'm able to send documents to the case notebook.  Have a document or pdf file you wish you could add to the notebook? One of the print options [at least in Microsof] is to send the document to OneNote.

Don't have Microsoft?  I googled and there are a number of electronic software progams available. In this digital day and age, an electronic notebook is a match made in heaven for organizing writing. Besides, think of all the trees being saved.

:) Carol Stephenson

Award winning author Carol Stephenson lives in southeast Florida with her beloved Shih Tzu. She's an attorney by day and author by night. She's best known for her emotionally drawn, hard-driving romances.  You can keep up with Carol and her books on her Web site at www.carolstephenson.com.       


FUTURE POSTS will cover:

Kindlegraph / the art of research / writing male/male romance / rejection and writer's block / building suspense / writing love scenes / anti-piracy strategies / audio books / interviews with editors and agents / using Calibre.
We welcome everyone's constructive comments and suggestions!

Sunday, February 1, 2015

I-SPY - a little thing called VAT...

Join the authors and friends of Not Your Usual Suspects for an occasional series of posts about their world of reading, writing and publishing.

Short and sweet, hopefully both informative and entertaining - join us at I-Spy to find out the how's and why's of what we do.


TODAY'S POST: I-Spy something beginning with ...VAT!

Value Added Tax (VAT)
is a European Union (Europe and the UK) tax on sales. It's the tax that you probably thought didn't apply to you if you were producing e-books, and also: American / publishing with a US publisher / self-publishing from America or at least a non-EU country / in the EU but not yet making £81k from your self-publishing (I wish *g*) ... or any combination of these that used to apply.

BUT NOW IT AFFECTS YOU.

As with all tax, it's a looooong, boring, stuffy old subject. But I'm here to bring you the BRIEF highlights so you know how it affects you as a Reader, Published Author, and/or Self-Publishing Author (SPA). Wherever you are in the world!

What was the 2014 situation?
Up until 31 Dec 2014, VAT was charged according to the country you lived in. So if a publisher was US-based (or in another non-EU country) they never came across it. And if an SPA lived in the US (or in another non-EU country), it didn't affect them either.

However, if an SPA (like me in the UK) or your publisher were EU-based and you were selling e-books, you'd have had to pay VAT on your sales to your country's government. BUT as there's always been a minimum threshhold for paying it, most individuals and small businesses never got called on to pay anything.

NOTE: Amazon are based in Luxembourg *dum dum DAH music*. Because that's a EU country, they've been paying tax on their sales to Luxembourg. But the rate there is only 3% on ebooks, whereas it can be anything between that and 28% elsewhere in Europe. This has a large significance when you look at the change that came into place on 01 Jan 2015...

What happened on 01 Jan 2015?
Everything changed. VAT now depends on the country of the BUYER not the SELLER. So it doesn't matter where an SPA or a publisher is based - it's where the CUSTOMERS are that matters.
So...
- a US publisher selling to US customers - no tax. But selling to EU customers - tax has to be recorded and paid to the VAT authorities.
- However small an SPA may be, the same rules apply.
- the seller has to establish the customer's country when they sell, make sure they're accounting for the right VAT rate, AND keep the records of how they proved where that customer is for 10 years.

What's the problem?
Well, in theory it's all meant to charge the seller a tax rate that's relevant to where their sales are, which seems more fair (see Amazon above). Also it means the tax funds will be shifted into the country that's making the sales, not just all of it going - for example! - to Luxembourg.

But the way the legislation has been brought in, it catches a lot of smaller businesses who have been taking advantage of the ease of online, digital business, and it's causing them fresh horror .


For example:
- there's no minimum threshhold. If you sell ONE digital book to ONE customer in the EU, you have to register for and pay VAT.
- the EU countries all have different rates of VAT, so you have to be able to add on a different rate each time you make a sale. Only the large corporations have the resources and systems to do this.
- all customers now have to be identified to one country or another, and records have to be kept of the supporting information for 10 years. This isn't as easy as you'd think, especially in the world of online, immediate sales.
- official returns have to be made to your "base" EU country on a quarterly basis, by country of sale.

Ouch!
Yes indeed. What are the issues that may affect YOU?

A reader in the EU will see an increase in the price of ebooks, because most publishers and bookstores based in the US/outside the EU will now add on the VAT at checkout.

Small, EU-based publishers are withdrawing from direct sales because of the admin burden that's NOT compensated by possible increases in price.

SPAs will have to think carefully about selling to EU customers. If you sell directly - and outside of Amazon etc - you'll have to account for VAT. That means an increased admin burden, and a variable profit on your book's price, depending on the VAT rate in each customer's home country.

Authors may see a different royalty amount earned on sales to EU countries. If the seller adds on the VAT, you'll still get your royalties based on the net price. But some sellers will take the VAT off an inclusive price *before* calculating royalty. So you may get less.

Any good news?
Well, if you sell through Amazon, All Romance, and the established e-publishers - they'll sort the tax out for you. You can rest easy, little will change apart from your readers maybe having to pay more for your books.

If you personally continue to sell direct and worldwide, you'll have to account for VAT for EU customers. But no one's expected to have to account to all the EU countries individually - the VAT authorities allow you to choose one "base" country and make a single, combined return of your sales and the VAT due every quarter.

There are several focus groups campaigning right now for amendments to the legislation, including a minimum limit before sellers have to account for VAT, like there is for trade in physical goods. That would allow most SPAs and small publishers to get back in the game.

*

Like I said, it's a hot topic at the moment and has barely had time to bed down in people's minds. There are plenty of places to find out more if you want or need, including but not restricted to, http://euvataction.org/, https://www.gov.uk/government/publications/vat-supplying-digital-services-to-private-consumers, and your local tax advisor. It's not just ebooks that are affected, but all sales of digital products that are delivered at the "click of a button".

Will keep you posted....:)


Clare London, Author
www.clarelondon.com
Writing...Man to Man

Clare also runs an accountancy service for UK authors at Quids & Quills. Pop on over there if she can help with any of your VAT, other taxation and accounting issues :).


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PAST and FUTURE POSTS cover:
Kindlegraph / the art of research / writing male/male romance / rejection and writer's block / building suspense / writing love scenes / anti-piracy strategies / audio books / interviews with editors and agents / using Calibre.
We welcome everyone's constructive comments and suggestions!

Saturday, November 1, 2014

I SPY: Goals, Motivation, & Conflict (GMC)

Join the authors and friends of Not Your Usual Suspects for an occasional series of posts about their world of reading, writing and publishing.

Short and sweet, hopefully both informative and entertaining - join us at I-Spy to find out the how's and why's of what we do.


TODAY'S POST: I-Spy something beginning with ...


Goals, Motivation, & Conflict (GMC)


Writers have many tools for crafting a story. One of the techniques I use is Debra Dixon’s concept of GMC: Goal Motivation, Conflict. Her book (which can be purchased new through her website here, if you’re interested – beware the exorbitant prices of used copies on other sites) outlines in detail how to use this technique. In this post, I’ll briefly discuss how I’ve utilized and adapted her concepts to fit my needs.

Basically, working through the GMC of each character (especially the ones who have a point of view) helps me get a firm grip on what needs to happen in the plot to help each of these characters reach their full potential. Near the beginning of a manuscript (sometimes I’ll write a couple chapters first to get an idea of my characters), I sit down with paper and pencil and sketch something like this out (please forgive my handwriting):



At the top, I have a two-word description (usually adjective and noun) of the character, such as “ex-military loner” or “overworked CEO." Here, I've described Rachel, the heroine of a novella I'm working on, as a "dedicated nurturer." (She's a doctor who works too much, and her personal relationships suffer for it.). This descriptor is something that gives a snapshot of that character (and often makes it into my blurb about the book).

The chart has “Internal” and “External” on the x axis because we’ll be looking at each item as it affects the character internally and externally. In my experience, the "internal" column is especially important to character development and growth while the "external" often impacts the plot points.

On the y-axis are three rows, divided into Goal, Motivation, and Conflict. The Goal is WHAT the character wants or needs to achieve. The Motivation refers to WHY the character wants that goal. The Conflict is the WHY NOT, or what is preventing them from achieving their goal.

In my novella, what I have of the plot so far involves the heroine going to a high school reunion and, having had no time for a significant relationship, deciding to ask an old boyfriend to serve as her date. He agrees, but when she arrives at the hotel room, he's been murdered. She's been framed. The detective who shows up (the hero) knows her and tries to help.

That's the gist, but I use the GMC to flesh things out a bit more. Using the GMC grid, I have the following for Rachel:

  • Internal Goals: 1.) Connect with someone AND 2.) Find love
  • External Goals: 1.) Survive her 10-yr. high school reunion AND 2.) Find out who killed her ex-boyfriend

  • Internal Motivation: 1.) Tired of being alone AND 2.) Desires a deeper connection (love)
  • External Motivation: 1.) Wants to be a success (to outrun her family's past/reputation) AND 2.) Wants to be cleared of ex-boyfriend's murder by finding out who killed him

  • Internal Conflict: 1.) Works too much (no time for relationships as she builds her medical practice) AND 2.) She's learned from her parents how painful love relationships can be.
  • External Conflict: 1.) In high school, she was the odd girl, the one with a bad family reputation AND 2.) She's attracted to Detective Jake Flynn, so working with him leads to other distractions and issues. Besides, he might have to arrest her for murder if he can't help her prove her innocence.


At the bottom of the same page, I usually add a couple sections where I can jot down specific features of my character. Under the header “Physical Traits” I put things like hair and eye color, height, age, and the like. Under “History/Background” I can jot down things like when and where the character attended school, what their degree was, a sketch of a family tree, relationship history, and anything that helps with timeline and personality development. Some of these things I know up front and some notes I add as I write the story.

The magic of this technique is it helps me create a one-page cheat sheet for each character. I use it as a reference tool as I write. Also, once I have a grip on the GMC of my hero and heroine, villain, and anyone else who is vital to the story, I usually gain a lot of insight into how the story will unfold. But plotting is another topic (and another chart — complete with color-coded sticky-notes) all together!

How about you? Do you have any questions about GMC? Have you used a similar technique to develop your characters?


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FUTURE POSTS will cover:
Kindlegraph / the art of research / writing male/male romance / rejection and writer's block / building suspense / writing love scenes / anti-piracy strategies / audio books / interviews with editors and agents / using Calibre.
We welcome everyone's constructive comments and suggestions!

Monday, September 1, 2014

Stop pushing me away...


Join the authors and friends of Not Your Usual Suspects for an occasional series of posts about their world of reading, writing and publishing.

Short and sweet, hopefully both informative and entertaining - join us at I-Spy to find out the how's and why's of what we do.

TODAY'S POST: Stop pushing me away—or avoiding filtering in your fiction

Many moons ago, when I began to learn my craft and write seriously, a writing friend critiqued one of my novels and said I was “filtering.”

I had no idea what she was talking about.

Filtering, I finally figured out, refers to when a writer pulls the reader out of the character’s tight point of view. Instead of experiencing the story with the character, i.e., through her eyes, filtering adds a layer between the reader and what’s happening in the story. Here’s an example:

With filtering:

She could see that her reflection, though a little distorted, was still pleasingly curvaceous.

Without filtering:
Her reflection, though a little distorted, was still pleasingly curvaceous.

In the example with the filtering, the reader is standing next to the character, watching the character notice her reflection. The words “she could see that” are completely unnecessary, since we’re in the character’s point of view.

In the second example, without filtering, the reader is in the character’s head, seeing what she sees as she sees it. It’s a tight point of view, with no added distance between the character and the reader. No added words to keep the reader from experiencing the action/thought directly.

Filtering is closely related to “show, don’t tell”—or rather, “tell, don’t show,” which is what filtering does.

Let’s try another example:

With filtering:
He didn’t seem to have changed at all in ten years. He still looked long and lean, broad-shouldered and narrow hipped. She saw that he still wore his jeans like he was about to stride onto the set of a western movie. He wore a black leather jacket open over a white crew-necked sweater. His sandy hair looked thick and wavy and he still smelled like sin.

She saw that his blue eyes—oh, those terrible eyes—still looked at her in disappointment.

Without filtering:
He hadn’t changed at all in ten years. He was still long and lean, broad-shouldered and narrow hipped. He still wore his jeans like he was about to stride onto the set of a western movie. He wore a black leather jacket open over a white crew-necked sweater. His sandy hair was still thick and wavy and he still smelled like sin.

And his blue eyes—oh, those terrible eyes—still looked at her in disappointment.

The filtered example is exaggerated for effect. It took me a while to see what my friend was talking about when she said that I was filtering. Once I understood, I saw it everywhere in my writing and had to train myself out of the habit. I still catch myself at it sometimes.

You want to grab the reader, hold her close, and not let her go until you’re finished with her. And for that, you have to get rid of those filter words. They’re like holding your reader at arms’ length.

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FUTURE POSTS will cover:
Kindlegraph / the art of research / writing male/male romance / rejection and writer's block / building suspense / writing love scenes / anti-piracy strategies / audio books / interviews with editors and agents / using Calibre.
We welcome everyone's constructive comments and suggestions!


Tuesday, July 1, 2014

Be Alert! - the use and misuse of Google Alerts

Join the authors and friends of Not Your Usual Suspects for an occasional series of posts about their world of reading, writing and publishing.

Short and sweet, hopefully both informative and entertaining - join us at I-Spy to find out the how's and why's of what we do.


TODAY'S POST: I-Spy something beginning with ... BE ALERT!

How thrilled am I when someone gets in touch to say they've featured my book, or made a comment, or - even more appreciated! - reviewed it online. It's heartening to know my book is being read and hopefully liked. It's also an opportunity to bring it to the attention of other readers.

And if nobody lets me know, or I'm not spending much time online? Use Google Alerts to email you when the name of an author or book appears in its common searches.

You can use an Alert for things other than your writing, of course. It can be for news about your work, about events or celebrities you're following. I've used it in the past to keep an eye on a publisher that I was having trouble getting my royalties from, and learned that they were having financial problems.


Here's an easy guide to HOW.



SETTING UP A GOOGLE ALERT FOR REVIEWS


The screen below will appear.
If you already have a Google ID – through your yahoo email, for example – it’ll pick up your email address automatically. Otherwise you just have to type in the email address you want notifications sent to.


In Search query, enter the name of your book. I also add my name, so I don’t pick up too many random combinations from the web:
CLARE LONDON, FREEMAN
Then CREATE ALERT.
I’ve set up one for each of my books, and also a more general one of CLARE LONDON, REVIEW.

I keep the other default options –
Result type: Everything / How often: once a day (I don't get that many LOL) / How many: only the best results. But you can choose others from the drop down menu if you want.

At any time, you can go back to the same link and choose to “Manage Your Alerts” i.e. Add / change / delete any searches you have.

Here's what I hopefully get in response, straight to my inbox!



And the MISUSE of alerts? They can be a two-edged sword!

You may have heard of the Review Paranoia: how obsessive we can get with reviews, whether we're searching daily for them, sniffling because we don't get them, gnashing our teeth at the ones that just don't "GET" us, or ... well. You know what I mean :)

Sometimes it's best to step away. After all, you may choose to use your time more wisely and WRITE!




--------------------
Clare London, Author
Writing ... Man to Man



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FUTURE POSTS will cover: ????
We welcome everyone's constructive comments and suggestions!
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