1 - Figure out what type of crime story you’re writing.
Despite sub-genre snobberies, there is no “better” or “more important”
category. Some people prefer cozies, some people prefer romantic suspense, some
people prefer thrillers. Write whatever you enjoy, but understand the demands
of your chosen sub-genre. That will make it easier when the time comes to
target your promotion to the right audience.
Here’s a tip. Your audience is not “everyone who likes a
good mystery.” Seriously.
2 - Make sure that every single character in your story has
a motive. And I don’t mean a motive for committing the crime. I mean a reason
for every single thing they do. Not just
a reason, a believable reason.
Because in real life, we all have reasons for the things we do -- in fact, we
often have several reasons, even if we appear to be behaving inexplicably and
unreasonably.
If your characters are acting out merely in order to advance
the plot, go back to the drawing board and figure out a plausible reason for
their actions. And then lay the groundwork so that your reader believes this
character would act that way given this certain set of circumstances.
Here’s a tip. “In real life people act out of character” is
not sufficient motivation. Fiction has to make sense in a way real life does
not.
3 - Have at least
three viable suspects for the crime. Of course, when the book starts out,
everybody is a viable suspect, but by the mid-point of the story, most readers
have ruled out most of the suspects. Keep it entertaining for the reader and
make sure there are at least two -- preferably three -- viable suspects
remaining. Which of course goes back to making sure everyone has believable
motives for the things they do.
Here’s a tip: Good people do bad things. Don’t be afraid to
make your villain sympathetic or even likable. Everybody has a breaking point,
and maybe your likable, sympathetic culprit got pushed too far.
4 - FOR THE LOVE OF GOD, PLEASE HAVE SOMEONE DO SOME GENUINE
INVESTIGATION. All useful information can not come via a cop boyfriend. Also,
deductions must be based on information received either through questioning or
observation. Crimes cannot be solved solely by acts of God, coincidence, psychic
powers or intuition, though these things may play a role in the denouement.
Your sleuth’s flash of intuition must be triggered by something that the reader would also have a fair chance
of connecting to the crime.
Furthermore, the villain cannot just give up and confess. As
convenient as this would be, no. Really.
Here’s a tip. Think of writing your mystery novel as a
friendly game played between you and the reader. You want to make it fun for
the reader, so it can’t be too easy. But you also can’t cheat and withhold
vital information. Readers do want to solve the mystery -- they want that ah ha! I knew it all the time! moment --
but they don’t want it to come too far ahead of your sleuth.
5 - Don’t focus on the puzzle and the twists at the expense
of the emotional core of your story. Murder is a terrible, terrible crime and
your story should reflect that. Don’t let your victim be a cipher. Whether the
victim was someone everyone wanted dead or beloved Uncle Arnold, there should
be ramifications to this death, there should be emotional impact. Murder is a
serious business and your story should reflect that -- even if you write funny,
cozy mysteries.
Here’s a tip. You should give as much thought to the
characterization of your primary murder victim as you would any other cast
member.
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Twitter:
@JoshLanyon
7 comments:
Great tips! I love #5. Since I write romantic suspense, it's often the hero and/or heroine in danger, but I have such "fun" figuring out the villain and how/why he chooses his victim(s). And those killings have to impact the H/h in some way, of course.
OMG - I sounded like Meg Ryan in the diner scene in 'When Harry Met Sally' while reading this!
I love "Your audience is not everyone who enjoys a good mystery". It made me laugh, even though it is true. This is a wonderfully concise and practical guide for writers *and* readers.
This is such a good post. What makes it even better is that you do all this in your books (of course) but without its being obvious that you're going it. The strings don't show. I think that's because your characters are so well fleshed-out and credible, and have believable conversations and relationships.
Thank you!!!!!!!!! Geeze I've picked up some very lacking books lately. Mystery is hard. And Steve you cracked my up.
Josh, An excellent, excellent blog/reference for anyone interested in writing mysteries. Thank you!
Bravo. Your reminders came at a perfect time for me.
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