NOT YOUR USUAL SUSPECTS

A group blog featuring an international array of killer mystery, suspense, and romantic suspense writers. With premises and story lines different from your run-of-the-mill whodunits, we tend to write outside the box. We blog several times a week on all topics relating to romantic suspense and mystery, our writing, and our readers. We welcome all comments and often have guest bloggers. All our authors can be contacted separately, too, using their own social media links.

We find our genre delightfully, dangerously, and deliciously exciting - join us here, if you do too!

NOTE: the blog is currently dormant but please enjoy the posts we're keeping online.


Julie Moffet . Cathy Perkins . Jean Harrington . Daryl Anderson . Nico Rosso . Maureen A Miller . Sandy Parks . Lisa Q Mathews . Sharon Calvin . Lynne Connolly . Janis Patterson . Vanessa Keir . Tonya Kappes . Julie Rowe . Joni M Fisher . Leslie Langtry
Showing posts with label mystery characters. Show all posts
Showing posts with label mystery characters. Show all posts

Friday, May 13, 2011

Got Character?


When you think of your favorite books or movies, I bet it's the characters that you remember most! For example, who could forget Hans Solo or Darth Vader from Star Wars, Scarlet O'Hara or Rhett Butler from Gone With the Wind, Neo from The Matrix, Harry Potter, Indiana Jones, and the list goes on and on . . .

Characters are critical to any story. In regards to characters, if you are a writer, your job is to:
1.) Make your readers care about your characters
2.) Establish reader identification with your characters
3.) Make your characters care deeply about something (this is crucial in order to help drive the plot)

Let’s take Star Wars, for example, (because I presume everyone is more or less familiar with this story) and examine two of the main characters.

Luke Skywalker – He’s the every man – the person with whom the reader can easily identify with because he’s a lot like you and me. He cares about his family, about doing what’s right, about being good.

Hans Solo – He cares only about himself. He’s selfish, rough around the edges, and interested only in monetary gain. He doesn’t care about the Rebellion or fighting for what’s right. But still, we all know someone like him, someone whose selfishness has touched our lives in a passing or significant way. We can identify with him.

Both characters are critical to the story, the reader can identify easily with both of them, and the fact that they are different helps drive the plot, provide conflict and keep the pacing tight. Luke’s goals (to help the Rebellion and free the people from the evil Empire) are what basically drive the plot. However, Hans Solo is just as important a character because, despite his diametrically opposed goals to Luke, HE IS CHANGED BY THE PLOT. By the end of the story he has evolved into a person who cares more about other people than himself or money. We care about him all the more because we watched him change and grow and were a part of that evolution.

So, when you sit down to build your characters – ask yourself: “What do my characters care deeply about?” Once you know this, you’ve taken the first step toward committing your characters to paper and ultimately, action. And remember, creating memorable, unforgettable characters that the reader cares about will make just about any novel publishable.

Monday, January 3, 2011

Welcome to the New Year!

And a lovely one it is, too. Don't you just love a brand spanking new year? It's all shiny and clean, and you haven't had time to blow your resolutions yet...

I spent most of New Year's Eve day finishing the first draft of my latest mystery. On New Year's Day, while recovering from my excesses (of writing!), I found myself wondering why I like the genre so much. I write fantasy, as well, and even the odd science fiction short story. But I do *love* a good mystery.

The fabulous Kristine Kathryn Rusch, who writes the Smokey Dalton mysteries under the pen name Kris Nelscott, has given a lot of thought to why mystery novels appeal to so many readers. She believes it's because a mystery brings order to chaos. And she's right, of course. By the end of the mystery, the bad guy has been caught (or at least identified) and it's safe to resume our normal lives.

Rusch taught a course on the mystery genre last year that broke down all the sub-genres of mystery and looked at the factors within each sub-genre (character, setting, tone, voice, etc.), and I realized what was important to me.
Character, character, character.

Now, I'm partial to setting, too, but setting isn't enough to keep me reading. However, if the protagonist is interesting, I will follow her or him to the end of the book to find out how they restore order to chaos. Years later, I may not remember the storyline, but I WILL remember the character, and I WILL be interested in reading more about said character.
Some of my favourite recent fictional characters are Kris Nelscott's Smokey Dalton, Louise Penny's Inspector Gamache and Christy Evans' Georgiana Neverall.

Now, how about you? Who are some of your favourite fictional mystery protagonists?

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