NOT YOUR USUAL SUSPECTS

A group blog featuring an international array of killer mystery, suspense, and romantic suspense writers. With premises and story lines different from your run-of-the-mill whodunits, we tend to write outside the box. We blog several times a week on all topics relating to romantic suspense and mystery, our writing, and our readers. We welcome all comments and often have guest bloggers. All our authors can be contacted separately, too, using their own social media links.

We find our genre delightfully, dangerously, and deliciously exciting - join us here, if you do too!

NOTE: the blog is currently dormant but please enjoy the posts we're keeping online.


Julie Moffet . Cathy Perkins . Jean Harrington . Daryl Anderson . Nico Rosso . Maureen A Miller . Sandy Parks . Lisa Q Mathews . Sharon Calvin . Lynne Connolly . Janis Patterson . Vanessa Keir . Tonya Kappes . Julie Rowe . Joni M Fisher . Leslie Langtry
Showing posts with label law. Show all posts
Showing posts with label law. Show all posts

Friday, May 10, 2013

If the pen is mightier than the sword...

www.zenithgallery.com/

... what happens when the pen is the sword?


I have no insights today, only questions.

We have a common bond on this blog. We're all suspense writers of one form or another, and if you're like me, you've done research that's taken you dark places. But speaking for myself, while some of the research gave me nightmares, I've always had a clear understanding that I write fiction. I create events and people that aren't real.

While the news has been non-stop lately with horrible acts of terror and victimization, two conversations this week have resonated in unexpected ways. Two writing friends shared events that were keeping them awake at night. Men they knew, people they'd gone to lunch with, worked with, thought they knew, had snapped and lashed out. The men killed others, including their wives, and then took their own lives. In both situations, my friends were shaken—hadn't seen the potential for violence, any evidence of mental illness—and were grieving.

I write about law enforcement professionals and amateur sleuths who put themselves in harm's way to bring villains to justice. I've read your books and know your characters take similar paths. But this intrusion of real life into the fictional world has made me wonder. We complain about violent video games and their impact on the kids who play them. Are we writing novels that desensitize people to violence or murder?

What do you think? Does the experience in reading a novel evoke different emotions than the hands-on, visceral experience of a video game? Do we need to dial down the violence? Or does horror rule?

Monday, September 26, 2011

Setting Chaos Right

Admittedly, there is something strange about those who spend a great deal of their time in thinking up ways to do away with another of their fellow beings. Someone once wrote that a person who repeatedly tries to devise a way of killing another is either a psychopath or a mystery writer, and that sometimes the line between them blurs. They even use a similar line over the opening credits of the TV show CASTLE.

I resent that. I spend a great deal of time finding ways to eradicate some poor soul, but I don’t feel like a psychopath. At least, not most of the time.

So why do I do it? Why do any of us do it?

Aside from the fact I’m much too afraid of getting caught to even think of trying anything for real, I believe we do it because as writers and as readers we fans of murder have a very strict sense of honor and decency and justice.

Whether we’re plotting the demise of a nosy next door neighbor or creating a scheme to eradicate the populace of a distant planet, we are creating mayhem and chaos. Murder is against the natural order of things – it is unnatural, and the unnatural is disturbing to us. However – if we create it ourselves as writers, we control it. We know from the beginning that however bad things get, we can set it right and good will triumph again.

Now I can hear some of you muttering that there are many books where the killer is not punished, that he walks away unscathed. Yes, of course there are, but in the traditional mystery framework (even if it is set on a distant planet many eons in the future or the past) we know that the bad will be punished and order restored. Even if the law is not served, justice will be, and the two are not always the same thing. Sometimes a murder is a good thing, and to punish the killer would be unfair. As was written in Texas law until not too many years ago, there are some folks who just need killing!

By contrast, real life is messy. People are murdered and the perpetrator is never caught, and sometimes even if he is he isn’t convicted. There is no guaranteed happy/good/righteous ending, and sometimes the uncertainty of that ambiguity is unbearable. I think people turn to mysteries both as readers and as writers because they need the framework of justice guaranteed to be triumphant. I know I do.

In the worlds we create horrible things happen, yes, but right and justice prevail. The murderer is going to be stopped some way. Our senses of balance and security and rightness are restored. All is well.

Would that it could be that way in real life.

Janis Susan May / Janis Patterson

Wednesday, February 16, 2011

SAY WHAT?



Toni Anderson’s blog about language differences between the English and Americans not only made me laugh, her blog made me think about how words have different meanings depending on your profession.

For example:

Theatre:
Break a Leg: Means good luck. If someone wishes a performer Good Luck—that performer is in trouble.

Standby: The performer who gets his or her big chance when the star is out sick. Often mutters Good Luck.

Apron: Not something you wear to keep spills off your clothes when cooking but the section of the stage floor that projects into the audience.

Motivation: For actors—many directors say, “It’s your paycheck, honey.” For writers—the goal that enables the character to overcome conflicts and drives the character through the story.

Straight Play: A drama without music—has nothing to do with sex.

And whatever you do * Do not mention the name of Shakespeare’s Scottish play to an actor or actress.

Law:
Subject matter jurisdiction: Is not a disagreement between a writer and her editor.

Slander: A rotten review. Well…maybe.

Simple assault: In my view--cutting a writer’s favorite line.

Pleadings: Between the writer and God after she mails her manuscript.

Toxic Tort: Another rotten review? No—personal injury or property damage due to a toxic substance. Hmmm.

Medicine:
False Labor: An article that’s rejected more than once? No false labor is a false pregnancy.

Normal Body Temperature: Of great use to Paranormal romance Writers or 98.6?


Authors:
Hook - Not Captain Hook of Peter Pan, not the hook that drags mediocre performers off-stage. Hook is the paragraph that captures the reader’s attention.

Tight - We aren’t drunk, squiffy, high, inebriated or intoxicated--our writing just needs to be concise and accurate.

I know many of you have worked or are working in other professions in additional to writing. Let us know about the words you used that others would use in a different fashion.

Bests,

Elise

www.elisewarner.blogspot.com
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