by
Janis Patterson
It seems everywhere you look someone
is advertising a writer’s conference and, truth be told, there used to be more
than today. Some offer contests, some don’t. Almost every one offers one-on-one
meetings with agents and editors. (At least, almost every one I’ve ever heard
of.) Some are very good. Some aren’t.
There are three basic kinds of
writer’s conference – first, what is basically a reader’s conference where
readers can come and interact with writers. There is a bookstore and a book
signing, lots of reader-oriented events, and maybe a few craft or market
sessions for the writers themselves.
Second, there is a not-always-happy mixture
conference, combining working professionals, newly published and aspiring
authors. I almost said wanna-bes, but have been informed that in this
oppressively and obnoxiously Politically Correct world such an appellation is condescending and
prejudicial. Perhaps, but in too many cases it’s also true. Yes, some of these
‘aspiring authors’ will soar and sell many more books than I can ever hope to,
but… most won’t, and some will never even sell one. Some come just to hang out
with their favorite authors, even if it is from a distance, so they can tell
their friends “Oh, when I was at such and
such conference with – insert name of favorite author here – we did such and
such…” never bothering to mention that there were several hundred people
doing the same thing. For some writers, though, this is the best kind of conference to attend.
Third, there is a conference for
professionals, where it is working writers only with a concentration on the
business side of the writing game, including everything from foreign markets to
designing a book cover for self-publishing authors.
Are conferences worth it? I say yes,
providing you go to the right conference for what you want.
Reader’s conferences are great for
authors who want to interact with their fans and hopefully meet new ones to
increase their readership. I’ve never been to one of these, mainly (1) because
my readership only goes to a select few of them and (2) so far I haven’t had
the money. I do have hopes, though.
The mixture conference is a toss-up.
Some swear by them and go as often as they can, hoping to combine craft, market
information and interaction with newly or unpublished writers. Not my taste,
but there are those who swear by this often contradictory mixture.
Writing is a business and I believe
in a business conference being exactly that – all about business. Last month
The Husband (who does work as my assistant) and I attended the NINC (Novelists,
Inc.) conference in Florida. It was held at the TradeWinds resort in St. Pete
Beach, which by itself was a great inducement to attend. It’s a beautiful
resort with wonderful restaurants, entertainment opportunities and a lovely
stretch of beach. Semi-sad thing is, though, that the conference was so dense
and so overwhelmingly good that The Husband and I only got to walk on the beach
once!
From the first moment of the welcome
reception on Wednesday night to the last moment of Lou Aronica’s fabulous
Unplugged speech (and this year he even sang!) at Sunday noon, there was never
a spare moment. Workshops began at 8:30 am and the Night Owl sessions usually
ended around 10:30 pm. In the middle was a fantastic mixture of knowledge and
socializing and networking and fabulous food and at least half a dozen other
things. The theme for this year’s conference was NINC World. Not all the
workshops specialized in global publishing (both traditional and self) and there
were many in all aspects and areas of the business of publishing.
There were no booksignings nor a
bookstore, as much for the fact that there was no time for any such as that
this is strictly a professional conference. There are no beginning or even
intermediate craft workshops (and to be honest, I don’t remember a single craft
workshop this year) but there were lots and lots of workshops about the
business of writing, whether you are traditionally or self-published or both. To
come you have to be a member of NINC (or the assistant to one), and that is a
membership not easily won. There are both publishing and income standards that
must be met, and only then can the applicant be voted on by the membership.
Most of us have limited conference
dollars, and if you’re considering going to a conference, think long and hard
about which kind of conference you wish to attend. What is your skill level?
Where are you in the profession? What do you hope to accomplish at a
conference? And lastly – what can you afford? The entry fee might sound very
reasonable (or not) but that’s not the only expense; you have to factor in
transportation, lodging, and food at the very least. Some conferences include
all meals, some a few and some none. I’ve never heard of a conference fee
encompassing lodging. And you have to get there. All of these expenses add up
and must be considered.
Which conference is right for you is
something only you can decide, and we are lucky in that there are all kinds of writer’s
conferences out there from which we can choose.
