NOT YOUR USUAL SUSPECTS

A group blog featuring an international array of killer mystery, suspense, and romantic suspense writers. With premises and story lines different from your run-of-the-mill whodunits, we tend to write outside the box. We blog several times a week on all topics relating to romantic suspense and mystery, our writing, and our readers. We welcome all comments and often have guest bloggers. All our authors can be contacted separately, too, using their own social media links.

We find our genre delightfully, dangerously, and deliciously exciting - join us here, if you do too!

NOTE: the blog is currently dormant but please enjoy the posts we're keeping online.


Julie Moffet . Cathy Perkins . Jean Harrington . Daryl Anderson . Nico Rosso . Maureen A Miller . Sandy Parks . Lisa Q Mathews . Sharon Calvin . Lynne Connolly . Janis Patterson . Vanessa Keir . Tonya Kappes . Julie Rowe . Joni M Fisher . Leslie Langtry
Showing posts with label Maria Muldaur. Show all posts
Showing posts with label Maria Muldaur. Show all posts

Monday, January 25, 2016

HOW OLD IS TOO OLD?


I just attended a talk by a renowned Canadian editor and publisher by the name of Douglas Gibson. He edited the likes of Robertson Davies, W.O. Mitchell, and Margaret Atwood… CanLit royalty. What was most interesting to me was the fact that he is “of a certain age.” He retired from editing and publishing at age 65, then reinvented himself as a writer, then as a performer. Now, at 72, he travels the country in a one-man play in which he dishes about the famous writers he edited.

A couple of years ago, I saw Maria Muldaur at the Harvest Jazz and Blues Festival in Fredericton, New Brunswick. (Never been? Oh, you have to go. It’s a fabulous festival.) I’d always liked Maria Muldaur but had never seen her perform. She had to be escorted onto the stage (poor eyesight, I think). That’s when I took a look around the audience and noticed the predominance of gray and white heads. Hoo boy. I braced myself for a nostalgic trip led by a woman clearly past her prime.


Was I ever wrong. Maria Muldaur, also 72, blew me (and everyone else) away. She might have been past her prime, but she sure as heck found another prime along the way.

A few weeks ago, I read a post by Dean Wesley Smith in which he referenced a comment from a reader who regretted starting to write so late in life. Dean understood completely. He spoke about his own experience of feeling like he should have been writing his own, original work much earlier than he did. Then he asked, So what?

That’s my question, too. So what if you started writing at 50 or 60 or 90? Is it what you want to be doing? Does it bring you joy? Fill your well? Give you a reason to get up? Then who cares how old you are when you start?

I admit to a few moments of doubt. Moments when I wonder why I should bother, because really, isn't it rather late? But that's wrong-headed thinking. We should be grateful to have discovered our passion at all. Many people go through life puttering, with no idea what that fire in the belly feels like.

Besides, there are advantages to being an older writer. The kids are grown and (mostly) out of the house. You’re no longer the family chauffeur/breadwinner. Your career may be starting to wind down. All of which translates to more time to dedicate to learning your craft, practising and creating.

I’m approaching 60 and some days I feel like life is galloping by and it’s all I can do to hang on. I’ve got so many stories to write, and so much to learn about this writing stuff… I figure another 40 years ought to do it. Maybe.

Ask yourself how old you would be if you didn’t follow your dream, whatever that is. That’s right. You’d still be the same age, only not as happy. At least now, you’re doing what you were meant to do.

I find myself inspired by Douglas Gibson, Maria Muldaur, and Dean Smith. Who are your inspirations?



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