There's this little website a few people have heard of....Kidding! It's PINTEREST! My crazy enthusiasm is in direct correlation to my obsession with this site. A friend of mine sent me an invitation to join Pinterest a while back when the site was just getting off the ground. I registered, then left it alone, unsure what to do with such a strange animal.
Then, while on twitter (where I live and breath and haunt) I saw an agent posting links to recipes. I don't cook, but they were pretty pictures - from Pinterest. Then, one of my favorite authors shared pins of funny things that inspired or encouraged her. It got my attention. I wandered back to my account and looked at my very pitiful and mostly empty boards, then left again, but within a few months everywhere I turned was another post, update or tweet about the site and I took the hint. There was something about Pinterest that attracted everyone. I was missing it. So, I gave it another try. (I HATE missing out on things).
I logged in, took a deep breath and started a new board. I gave it a lame title and I searched for things that went with the manuscript I was working on at the time. Four hours later....<-- see what happened there? I had a nice arrangement of things that inspired me and my story. As the days went by, if I struggled with the plot, I looked at the board. I used all the visual clues I saved up to deepen my internal picture of the island where my story takes place. I read the little funnies I thought my characters might say, and I found a renewed vigor in my voice. Now, I'm not completely crediting Pinterest with my success, I mean, I had a little something to do with it...I hope, but that fateful board led me to the completion of my very first cozy mystery novel. That same cozy mystery landed me a gig with Carina Press! Not too bad for a site I didn't know what to do with for months.
As it turns out, I'm a visual person too. Who knew? For years, I've thought of myself as limited to words and imagination. Using a new site to match visuals with my ideas opened doors for me and taught me things about how I think and what I believe and how badly I need new clothes! I now have dozens of pin boards (You can see my Pinterest here) and I've created one for each of the books I started working on. I'd love to share the board for my upcoming cozy, Murder by the Seaside. If your curious about the board that kept me going, that was the one. That's where it all began AND as an added bonus, when the publisher contacted me looking for the tone and feeling of my book - they were putting together a cover. (A COVER!!) I used words as well as possible to answer their questions, and then I pointed them to Pinterest! Hey, my board says things with pictures that I can't always capture in words - at least not without rambling, which I do, as you see :)
If you're on Pinterest, look me up! I love finding new pinning pals to follow :)
NOT YOUR USUAL SUSPECTS
A group blog featuring an international array of killer mystery, suspense, and romantic suspense writers. With premises and story lines different from your run-of-the-mill whodunits, we tend to write outside the box. We blog several times a week on all topics relating to romantic suspense and mystery, our writing, and our readers. We welcome all comments and often have guest bloggers. All our authors can be contacted separately, too, using their own social media links.
We find our genre delightfully, dangerously, and deliciously exciting - join us here, if you do too!
NOTE: the blog is currently dormant but please enjoy the posts we're keeping online.
Julie Moffet . Cathy Perkins . Jean Harrington . Daryl Anderson . Nico Rosso . Maureen A Miller . Sandy Parks . Lisa Q Mathews . Sharon Calvin . Lynne Connolly . Janis Patterson . Vanessa Keir . Tonya Kappes . Julie Rowe . Joni M Fisher . Leslie Langtry
Monday, April 29, 2013
Friday, April 26, 2013
Sexpectations
As a Romantic Suspense author I'm in the enviable position (sometimes) of attracting readers from across both the Romance and Thrillers/Mystery genres. But though I might attract more readers by crossing genre lines, I also get a little more criticism. What gets me in trouble the most is never how graphically I kill someone, but how often and how explicitly my hero and heroine have sex. For some people--a small minority who probably don't realize the books are Romantic Suspense or just have no idea what the Romantic Suspense genre entails--murder and maiming is fine, but god help me if someone has an orgasm :) I am totally okay with people having their own set of values when it comes to reading about 'bedroom acts' (or 'kitchen' or 'wherever'...) but it never fails to amaze me that people can be fine with killing--gleeful even--and yet recoil at the idea of a little physical intimacy between people who are falling in love.
I remember watching a Desmond Morris TV series in the nineties that took married couples who were very much in love and making them abstain from sex for several months. It didn't take long for cracks to form in the relations. What had been mutually supportive relationships became fractured and tense. The researchers postulated that men and women are different (ha!) in that men need sex to feel love and women need love to have sex.
It's an interesting idea.
Sex is important in a relationship. Even when people aren't having any, sex is very important in a relationship.
Love and romance are all tied up with sex in my mind. Maybe its the biologist in me, trying to make sense of something which is essentially nebulous. I mean, why is one person attracted to another? I really don't know on a general level, but I do know when it comes to the characters I create.
I personally like to read Romances that are both sexy and subtle. I like hot and I like sweet. But for some reason my stories generally veer toward hot. I have no idea why. I hope I don't upset readers with my sex scenes. I'd hate to do that. But I also don't write sex scenes wondering how people might react (else I might have anticipated my sister-in-laws comment about the height of kitchen counters while we were eating Christmas dinner). I'd never write another word if I allowed readers to intrude on my thoughts when I'm supposed to be in someone else's head. (Is this complicated enough for everyone? Multiple personality head hopping during the writing of sex scenes?).
However, my latest book, The Killing Game, only has one sex scene in the whole thing (that's what the story needed). Ironically I'm now worried I'll be criticized for not having enough sex in an action-adventure romance. For the main part, I am blessed by having readers who happen to like the same blend of Romance and Suspense that I do.
So, the climatic question of the day: How much is too much??
Wildlife biologist Axelle Dehn isn’t about to let anyone harm her endangered snow leopards—not the poacher intent on killing them, nor the soldier who wants to use them as bait. But Axelle is unknowingly entangled in a conflict that stretches back three decades, a conflict that could spark a war between two of the world’s great nations.
The Killing Game is available from Amazon.com, Amazon.ca, Amazon.co.uk, Kobo, nook, Smashwords, and Apple. And in print from Createspace.
I remember watching a Desmond Morris TV series in the nineties that took married couples who were very much in love and making them abstain from sex for several months. It didn't take long for cracks to form in the relations. What had been mutually supportive relationships became fractured and tense. The researchers postulated that men and women are different (ha!) in that men need sex to feel love and women need love to have sex.
It's an interesting idea.
Sex is important in a relationship. Even when people aren't having any, sex is very important in a relationship.
Love and romance are all tied up with sex in my mind. Maybe its the biologist in me, trying to make sense of something which is essentially nebulous. I mean, why is one person attracted to another? I really don't know on a general level, but I do know when it comes to the characters I create.
I personally like to read Romances that are both sexy and subtle. I like hot and I like sweet. But for some reason my stories generally veer toward hot. I have no idea why. I hope I don't upset readers with my sex scenes. I'd hate to do that. But I also don't write sex scenes wondering how people might react (else I might have anticipated my sister-in-laws comment about the height of kitchen counters while we were eating Christmas dinner). I'd never write another word if I allowed readers to intrude on my thoughts when I'm supposed to be in someone else's head. (Is this complicated enough for everyone? Multiple personality head hopping during the writing of sex scenes?).
However, my latest book, The Killing Game, only has one sex scene in the whole thing (that's what the story needed). Ironically I'm now worried I'll be criticized for not having enough sex in an action-adventure romance. For the main part, I am blessed by having readers who happen to like the same blend of Romance and Suspense that I do.
So, the climatic question of the day: How much is too much??
Wildlife biologist Axelle Dehn isn’t about to let anyone harm her endangered snow leopards—not the poacher intent on killing them, nor the soldier who wants to use them as bait. But Axelle is unknowingly entangled in a conflict that stretches back three decades, a conflict that could spark a war between two of the world’s great nations.
British SAS soldier, Ty
Dempsey, is on a mission to hunt down an infamous Russian terrorist in a
remote region of Afghanistan. Dempsey hasn’t failed a mission yet, but
when Axelle is kidnapped by the Russian, he is forced to choose between
duty and his heart. He risks everything to save the determined, prickly
woman he’s fallen for, but in doing so sparks a deadly series of events
that threaten to expose the most successful spy in history. A spy who
will destroy anyone who gets in his way.The Killing Game is available from Amazon.com, Amazon.ca, Amazon.co.uk, Kobo, nook, Smashwords, and Apple. And in print from Createspace.
Wednesday, April 24, 2013
A Friend Who Helped Me Face My Fears
When I learned the date I was scheduled to write a post for
this blog a chill ran down my spine. April 24th was the day a very close friend
died suddenly while running in Rock Creek Park in Washington, DC. Jim was a divorce attorney—a mediator,
really, because he was a big believer in there being two sides to every broken
relationship. I never watched him mediate between two angry, hurting people,
but I spent enough time around him to know he was perfect for the job. Jim was
one of the clearest thinkers and best listeners I've ever known.
Like most of my friends in Washington, Jim was way into
politics and international affairs, and loved to debate and argue the issues
from all sides. But what really fascinated him was listening to people's
personal stories, the more complex the better, and analyze how their childhood
scars and adolescent traumas shaped them. So when I started writing romantic
suspense featuring deeply flawed, damaged characters, Jim eagerly offered
himself as a sounding board. I didn't have much confidence as a writer back
then, and he was a very busy man, so at first I declined his help. But he was
the kind of guy who inspired trust in people, and he ultimately persuaded me to
go out on a limb and let him read my very first manuscript. I still cringe at
the memory of how afraid I was that he'd think less of me for having written
such schlock.
Looking back at that first book, which I called
Headmistress, it's clear that Jim was not only generous with his time (the
thing was a 500-page monster), his critique was incisive (and kind!) and challenged
me to stretch myself as a writer. He insisted I send it out to editors, which I
did, without success. Years later I borrowed from that early manuscript, and
Jim's critique, to launch a dark, sensuous book about a school mistress called Son of the Enemy, which will be released
in June. I like to think he would be proud of me if he read it.
Was there someone in your life who inspired you to break through your fears and go for it? Please share your stories!
Monday, April 22, 2013
STANDING THERE NAKED
STANDING THERE NAKED
Have you ever considered how much your writing reveals? I don’t mean what you write, I mean your handwriting. How you use what your grammar school teacher called the Palmer Method. It gives you away. Every time.
Take those long, loopy “y’s” and “g’s” at the end of a word when the final loop swings back up—that means you’re sensual and making the most of it. Those “a’s” that don’t quite close? You’re talkative, great company, but maybe, just maybe, you spill secrets. Like what happened last night at . . .
Is there a little hook at the beginning of capital letters such as “H,” say or “M?” If so, you want to keep a grasp on everything you’ve worked so hard to achieve. A husband? Those royalty checks? Then there are people who top off their lower case “i’s” with little round circles . . . . do you do that? Hmm.
For graphologists, hundreds of subtle nuances in strokes like these expose our well hidden selves, the ones we think we’re keeping private. The truth is that every time we take pen to paper, the story we’re really telling, whether we know it or not, is about ourselves.
But not to worry. The Age of Texting has arrived. We’ve been saved by the iPad. Or the Smart Phone. For who writes in cursive anymore? Writing with a pen is becoming a dying art. In fact some schools no longer teach cursive in the beginning grades. And u can 4get about spelling while you’re at it.
For those of us who make a career out of the written word, what we say has always been the primary way we reveal ourselves to others. So the loss of cursive writing may not affect us deeply.
Come to think of it, not having to take pen to paper may come as a big relief to a lot of people. Take the college sophomore who recently wrote a note to his Aunt Jane. She read it, realized he was depressed—she could tell from the way his final words drooped on the page—and told his mother to get to him immediately before something dire happened. All he thought he’d done was write a thank you for the Christmas fruitcake.
P.S. For an excerpt from Killer Kitchens, Jean’s latest cozy mystery, take a peek at www.jeanharrington.com. She didn’t take any chances at being psyched out through her penmanship though, so the whole excerpt is typed in Times New Roman.
Tuesday, April 16, 2013
Why, Why, Why!!! Tell
my Why-eye eye
I was recently editing an MS
making sure I’d answered all the whys in the story and I realized I had my own real
life unanswered why questions. Like:
WHY doesn’t someone make a riding vacuum cleaner?
WHY doesn’t someone make a riding vacuum cleaner?
Why do people going to the gym look for
a close parking space?
Why do we press harder on a remote
control when we know the batteries are about dead?
Why do banks charge a fee on
'insufficient funds' when they know there is insufficient money?
Why does someone believe you when you
say there are four billion stars, but they fricking have to check when you say
the paint is wet?
Why doesn't glue stick to the inside of the bottle?
Why doesn't Tarzan have a beard?
Why does Superman stop bullets with his chest, but ducks when a revolver is thrown at him?
Why doesn't glue stick to the inside of the bottle?
Why doesn't Tarzan have a beard?
Why does Superman stop bullets with his chest, but ducks when a revolver is thrown at him?
Why
does a
slight tax increase cost you $200.00 and a
substantial tax cut saves you $30.00?
Why
did people in
the 60s take acid to make the world weird and now that the world is weird take
Prozac to make it normal?
Why
do hot dogs
come 6 to a pack and the buns come 8 to a pack
If people
evolved from apes, why are there
still apes?
Why is it no matter what color bubble
bath you use, the bubbles are always white?
Why is there never a day that mattresses are not on sale?
Why is there never a day that mattresses are not on sale?
Why do people touch a pregnant woman’s belly and say congrats
but never touch a guy’s penis and say good job?
Why do people constantly return to the refrigerator with hopes that something new to eat will have materialized?
Why do some people keep reading a bad book to the bitter end to see if it’s going to get better?
Why do people constantly return to the refrigerator with hopes that something new to eat will have materialized?
Why do some people keep reading a bad book to the bitter end to see if it’s going to get better?
Why when you finally get time to watch
TV there is nothing on the 10 million channels you want to watch?
Why did I get such pleasure naming my
wifi connection FBIsurvan?
Why is it that whenever you attempt to catch something that's falling off the table, you always manage to knock something else over?
Why is it that whenever you attempt to catch something that's falling off the table, you always manage to knock something else over?
Did you ever think that-
Someday health nuts are going
to feel stupid dying of nothing.
All of us could take a lesson
from the weather. It pays no attention to criticism.
Good health is merely the
slowest possible rate at which one can die.
Give a person a sandwich and
you feed them for a day, teach a person to use
the internet and they won't bother you for weeks.
Men have two emotions:
Hungry and Horny. ;-) BTW if you see one without an erection, make
him a sandwich.
Some people are like a Slinky ... Not really
good for anything, but you still can't help but smile when you shove them down
the stairs.
Life is like eating a jar of Jalapeno peppers.
What you do today, might burn
your ass tomorrow.
We know exactly where one cow
with Mad-cow-disease or one chicken with bird flu is located among millions but
we haven't got a clue as to where criminals and terrorists are located. Maybe
we should put the Department of Agriculture in charge of finding them.
The statistics
on sanity are that one out of every four persons is suffering from some sort of
mental illness. Think of three friends -- if they're okay, could it be you.
Can you answer
my questions? Do you have any unanswered
why questions?
Rita writes sexy stories about Extraordinary Women and the
Men they Love. http://ritahenuber.com
Sunday, April 14, 2013
Can I quote you on that?
I love quotes. Little nibblets of inspiration. Lessons.
Advice. I write them on post-its and stick them to my monitor. I flag and
dogear keeper books where a line surprised my heart. I rip chunks out of
newspapers and magazines and pin them to my bulletin board.
There are so many I love…
Sometimes they remind of who I want to be when I grow up:
Carolyn See: “All writing, all art, maybe all of life—is exactly like dating. Write one
charming note to a novelist, an editor, a journalist, a poet, a sculptor, even
an agent whose professional work you admire, five days a weeks for the rest of your life.”
Sometimes they remind me of how good days feel:
Gabriel Garcia Marquez: “The writing became so fluid that I
sometimes felt as if I were writing for the sheer pleasure of telling a story,
which may be the human condition that most resembles levitation.”
Sometimes they remind me how to survive a hard day:
Samuel Beckett: “Ever tried. Ever failed. No matter. Try
again. Fail better.”
This one echoed for days after a recent trip to the theater:
Shakespeare: Our doubts are traitors, and make us lose
the good we oft might win by fearing to attempt.
It's a breathtaking old castle on the top of a mountain, built by Muslims over thousands of years. The Muslim faith restricts depicting certain artistic images and as a result they create amazing graphic displays of color and shape.
And calligraphy...oh mama! they have some pretty handwriting.
It seemed to me as if the buildings of the Alhambra worshiped words. Thick tiles made of white marble are carved with swirling inscriptions and mounted along halls, or all the way around a room.
If only I knew how to carve stone....
So...do you save quotes?
I’d love to hear some of yours!
Friday, April 12, 2013
CLICHES -- LOVE 'EM OR LEAVE 'EM?
We've all heard them, seen them in used in television, movies and advertising, or read them in books. The dreaded cliché. People use them all the time while talking. It's as natural for some as talking with your hands (which I'm totally guilty of—never stand too close when I get going—you could lose an eye. LOL) They also tend to be a regional thing. I'm from the South . . . we spout cliches here like well—like water off a duck's back.
There's a natural rhythm and familiarity to the cliché. They can be a comforting turn of phrase which takes us to a special place and time. Or reminds us of a particular friend who always used those particular word(s). In writing using cliches can be great as long as we don't overuse them. Too many and the reader will start rolling their eyes to the back of their heads.
Still they can add a nuance or flavor to the story that might not otherwise be there. Like adding an accent to the dialect, the cliché can change the ordinary to the extraordinary. Here are a few examples of some cliches I'm sure you've heard before.
Avoid it like the plague
Deader than a doornail
Grab a tiger by the tail
If these walls could talk
The pot calling the kettle black
Think outside the box
Thick as thieves
Banging your head against a brick wall
All dressed up and nowhere to go
Plenty of fish in the sea
Every dog has its day
He/she was like a kid in a candy store
Back to the salt mines
The best thing since sliced bread
Crying all the way to the bank
A rose by any other name would smell as sweet
Absence makes the heart grow fonder
These are a handful of cliches I know I've heard or read over the years. Sometimes they make a character unique and stand out in a crowd of same old, tired caricatures. But, and this caveat I'll give you for free—don't overuse them. Sprinkling a few of them throughout your story or conversation can be fun and light but too many and your creativity can be called into question, thinking you're using them as a crutch. (I've been guilty of having a few too many cliches running throughout my books and my critique partners call me on them every time.)
So, how do you feel about cliches in your stories? Do you love 'em or would you rather do without them altogether?
Why not add your own special cliches to the above list. Post them in the comment section for everybody to see and enjoy.
There's a natural rhythm and familiarity to the cliché. They can be a comforting turn of phrase which takes us to a special place and time. Or reminds us of a particular friend who always used those particular word(s). In writing using cliches can be great as long as we don't overuse them. Too many and the reader will start rolling their eyes to the back of their heads.
Still they can add a nuance or flavor to the story that might not otherwise be there. Like adding an accent to the dialect, the cliché can change the ordinary to the extraordinary. Here are a few examples of some cliches I'm sure you've heard before.
Avoid it like the plague
Deader than a doornail
Grab a tiger by the tail
If these walls could talk
The pot calling the kettle black
Think outside the box
Thick as thieves
Banging your head against a brick wall
All dressed up and nowhere to go
Plenty of fish in the sea
Every dog has its day
He/she was like a kid in a candy store
Back to the salt mines
The best thing since sliced bread
Crying all the way to the bank
A rose by any other name would smell as sweet
Absence makes the heart grow fonder
These are a handful of cliches I know I've heard or read over the years. Sometimes they make a character unique and stand out in a crowd of same old, tired caricatures. But, and this caveat I'll give you for free—don't overuse them. Sprinkling a few of them throughout your story or conversation can be fun and light but too many and your creativity can be called into question, thinking you're using them as a crutch. (I've been guilty of having a few too many cliches running throughout my books and my critique partners call me on them every time.)
So, how do you feel about cliches in your stories? Do you love 'em or would you rather do without them altogether?
Why not add your own special cliches to the above list. Post them in the comment section for everybody to see and enjoy.
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